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by Troler
Free Software fundamentally misses the point. It fails on a practical, ideological, economic, and political level. Letβs examine precisely how (in a slightly different order for the purposes of presentation).
6 Minute Read
"I like you"
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"That's very sweet of you <...>, I like you too"
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"I mean, I don't like many people"
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Seldom do I eat the same food twice, reread a book or even rewatch a movie. Barely do I ever want to rewatch the movie as I am watching it. You did not misread, not after the ending, but during the actual viewing. If you somehow didn't read the title, the movie in question is Robert Mulligan's Summer of '42.
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I came across it when I was reading Quentin Tarantino's review of 40s nostalgia pieces. What piqued my attention was the radiating love and affection for the picture and his knack for collecting film prints ("if you havenβt seen Summer of β42 projected in an I.B. Technicolor 35mm film print, you havenβt seen Summer of β42). I set down at the middle of the night and saw something I cannot unsee. Neither did the audience in 1971, since this slice-of-romance film about horny teenagers beat Dirty Harry and even Stanley Kubrick's A Clockwork Orange in the box office. To say it was impactful is an understatement.
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What was it that caught the attention of the viewers? Well, it was sex of course! Imagine this, the Sexual Revolution has swept the United States, arguing that all this restriction on sex is making people grow into perverts. The tidal shift of demographics, as brought by the Baby Boom, resulted in American cinema unshackling itself. This change is known as New Hollywood. In 1971 Robert Milligan was one of these crazy New Hollywood men. At a budget of a million (lead actress Jennifer O'Neill says it was 8 million) created relatively simple movie. Simple, yet effective. To a point where it deeply touched Kubrick ("climax of the film is quite simply one of the most devastating sequences Iβve ever witnessed (apparently Kubrick felt the same)". Do not take Tarantino's word for it, watch what Wendy is watching in The Shining
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The story follows a group of 3 ragtags Oscy (Jerry Houser), Benjie (Oliver Conant) and Hermie (Gary Grimes). All of them are a trio of lusting adolescents. They are at a stage where they want to have sex yet paternalism laws do not allow them to. Naturally that gives the same results as boiling water with the lid shut down. A good bit of the half of the movie is about teenagers being stupid bunch of horny bastards. There Hermie falls deep in love with Dorothy (Jennifer O'Neill). Hermie is 15 and Dorothy is in her 20s (the actor was 22). There is this Licorice Pizza scenario. The movie corrupts the audience into believing the relationship between a teenager and a woman is okay. WW2 is in the background: you have soldiers strolling the town, Dorothy sending her husband to France, radio broadcaster talking about the war. It is in the background... until it is not. The movie is set during 1942, it is a nostalgia piece after all. The Dorothy observed is meeting this 15 year old, while her husband is out fighting Nazis. At one point she buys flowers, keep that in your mind, it will be relevant later. For a good part of the film, the focus is on the "Terrible" trio and their quest to get laid.
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Since the budget of the film was not that high (a million), it resulted in quite simple camera arrangement. Most shots were done out-doors, resulting in less expenses on props. Since the emphasis is on the characters, the shots are done using wide lens. The movie actually becomes quite a bit darker as it progresses. I mean, literally darker. First scenes are bright, moving with life of the beach-goers. Later on you have the shabby "Terrible trio" hut, movie theater, sex during midnight. As mentioned before, it being a movie from 1971, sex in movies was still taboo. Robert Mulligan is corrupting the audience by having a scene where teenagers actually fuck during the middle of the night. None of it is displayed on the screen. It was distributed by Warner Bros. in 1971 after all.
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The music composed by Michel Legrand is nearly non-existent. It starts in the beginning, with the showcase of the important places throughout the movie and resumes only at the end. Upon the rewatch, the beginning slide-show made me tear up.
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The love between Hermie (Herman) and Dorothy (Dorothy) was, by the words of the screen writer Herman Raucher, "had effected a strange relationship". Herman, in a way is a romantic, similar to Steven Spielberg. For him love is more than just putting his sausage into girl's scissors, as did Oscar, who in character, was closer to Luc Besson with his pussy-curse. Naturally having Dorothy's husband was murdered in France, meant "she was alone on an island and drinkinβ and playing their favorite song and in walks this kid and <...> She just thought I (Herman) was him". Powered by mourning, she danced, danced with Hermie (Herman) to their favorite song and went to bed with a 15 year old kid. It was Dorothy's way of curing herself from the trauma. She was alone on island with no-one except that strange Hermie (Herman). The flowers she bought few days ago were thrown out. The vase was left empty. Not even water was present in it.
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30 years later, after the film was released, the writer received "numerous letters from women claiming to be Dorothy". One of them stood out, it had Dorothy's handwriting. The letter mentioned, she had remarried and was living in Canton, Ohio. She was intrigued what effect did she have on Herman. The letter was ended with these words: "The ghosts of that night 30 years ago are better left undisturbed."
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Tell me @BlenderDumbass , are you willing to do a psycho-sexual analysis on one horny teenager and a miserable widow?
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Fin.
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The somber tale of Summer of '42
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/18/Summer_of_%2742_POSTER.jpg)
Troler
π 12 π¬ 109
Sex and love are hard to miss on present block-busters. Even topics such as love between a child and an adult are discussed. In early 1970s and before it was hard to find films delving into such topics. A nostalgia film of that. The movie may start out light-hearted, it went deep so to make the illustrious Kubrick cry.
#Summerof42 #1942 #JenniferO'Neill #GaryGrimes #JerryHouser #RobertMulligan #HermanRaucher #film #review #movies #cinemastodon
Broken Wings ( 2002 ) is satisfyingly depressing
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/7/7e/BrokenWINGS.jpg/250px-BrokenWINGS.jpg)
Blender Dumbass
π 13
There is a feeling I'm chasing sometimes that only a few things can give me. A feeling of satisfying depression. Films like Michel Gondry's Eternal Sunshine of the Spotless Mind, or Hayao Miyazaki's Spirited Away give me that feeling to some extent in some of the sequences. But Nir Bergman's 2002 film Broken Wings gives it all throughout.
#BrokenWings #film #movies #review #cinemastodon
Machete Kills 2013 is trying to beat Spaceballs
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/0/04/Machete_Kills.jpg/250px-Machete_Kills.jpg)
Blender Dumbass
π 10 β€ 1 π¬ 3
As I observed 2 hours ago in my review of Machete, the first film is about US politics of 2025. The second movie Machete Kills is something else entirely. If the first film is a semi-parody of exploitation films. This one is a full on spoof comedy, parodying not just exploitation films, but other things too. By the end of the film, the bullshit is so absurd, that you cannot stop laughing. And then Elon Musk appears out of nowhere to send Machete into space.
#MacheteKills #RobertRodriguez #film #review #movies #cinemastodon
Predator 1987 was always a B-movie
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/9/95/Predator_Movie.jpg/250px-Predator_Movie.jpg)
Blender Dumbass
π 20 π¬ 3
As I observed in my review of Predator 2, the Predator films feel very B-movie-like. And the first film, John McTiernan's 1987 Predator is not an exception.
#predator #horror #ArnoldSchwarzenegger #film #review #movies #cinemastodon
Backdraft 1991 is a HOT film
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/a/a1/Backdraft_poster.jpg)
Blender Dumbass
π 5 π¬ 2
Ron Howard is a hell of a director. He knows how to get the image that he wants. And he knows how to do it so that it will hold up practically forever. His 1991 fire-fighters movie Backdraft is not an exception. The fire sequences are so real and so visceral in this film, despite being done 3 decades ago, that perhaps this film is even better when it comes to planning shots that hold up than his Apollo 13 movie ( where he used real weightlessness to shoot the space scenes ).
#backdraft #firemen #firefighters #fire #movies #cinema #ronhoward #film #review #cinemastodon
After The Hunt 2025 is an exploitation film about the #MeToo
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/7/7e/After_the_Hunt_poster.jpg/250px-After_the_Hunt_poster.jpg)
Blender Dumbass
π 23 β€ 1 π 1 π¬ 2
In my article about Corruption of the audience I observed the talent of Luca Guadagnino in this regard. I was mostly talking about his film Bones and All where he managed to humanize cannibalism. But I think with his 2025 picture After the Hunt he is finally attempting the hardest challenge yet.
#afterthehunt #lucaGuadagnino #film #review #movies #cinemastodon
Snake Eyes 1998 is De Palma's attempt at restoring his Hitch spirit
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/8/8b/SnakeEyesPoster.jpg/250px-SnakeEyesPoster.jpg)
Blender Dumbass
π 16 π¬ 3
Watching the opening scene of Brian De Palma's 1998 film Snake Eyes makes you realize that this motherfucker is trying very hard. We have 13 minutes of Nicolas Cage running around a very crowded set. The scene is clever with its camera, giving us multiple layers of exposition in the same time. Like there could be a TV on the foreground and Cage on the background. And they seem unrelated at first, but the scene establishes most of it's plot details right in this very shot. And then the shot ends ( 13 minutes later ) at the exact moment, the script drops the "inciting incident". De Palma is really trying hard to direct the shit out this movie.
#SnakeEyes #BrianDePalma #NicolasCage #film #review #movies #cinemastodon
Is Hancock 2008 about the tragedy of rejection?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/c/c9/Hancockposter.jpg/250px-Hancockposter.jpg)
Blender Dumbass
π 7 β€ 2 π¬ 3
Mary Embrey, the blonde woman played by Charlize Theron in the 2008 Peter Berg film Hancock, is surprisingly good looking. For the few people who read through the psycho-sexual analysis of me, you may know that for me in general, the name Mary, or the Latin version of it Maria, or the Russian version of it Masha, especially connected to a blonde, good looking woman, is very important. And yet, back when I saw Hancock for the first time. I didn't quite realize how important it is.
#hancock #peterberg #willsmith #charlizetheron #film #review #movies #cinemastodon
Frankenstein 2025 is... wow... just wow!
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/9/94/Frankenstein_2025_film_poster.jpg)
Blender Dumbass
π 23 π¬ 1
Let's get this out of the way: Guillermo del Toro knows how to make a movie. The man is a fucking genius. And yet it seems apart from just being technically proficient, he is also a master of making corruption of the audience emotionally satisfying. Let me explain.
#Frankenstein #GuillermodelToro #film #review #movies #cinemastodon
The Fifth Element 1997 is the most tragic film in Luc Besson's career
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/6/65/Fifth_element_poster_%281997%29.jpg)
Blender Dumbass
π 63 π¬ 1
It is not a spoiler in 2025 that the message of Luc Besson's 1997 film The Fifth Element is "Love". The fifth element itself ( a revelation in the end of the film ) appears to be Love. And the thesis is that Love is the thing that can defeat the evil in the world. But looking at the film and the behind the scenes drama around it, you can say that Besson didn't really mean love in its purest sense. But he was instead preaching a Bonobo Philosophy. Where "love" or in modern language sex, is used to deescalate conflict. Bonobos are known to fuck each other instead of fighting with each other, making themselves more peaceful. Looking at how horny The Fifth Element ( and Luc Besson ) is, the Bonobo philosophy theory sounds to be a much more plausible reading of the film. Making it very tragic indeed.
#LucBesson #Maiwenn #MillaJovovich #Love #film #review #movies #cinemastodon
Dream Scenario 2023 is about Richard Stallman?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/5/50/Dream_scenario_poster.jpg/250px-Dream_scenario_poster.jpg)
Blender Dumbass
π 17 π¬ 2
Kristoffer Borgli's 2023 film Dream Scenario starring Nicolas Cage is a movie about a man, who is being dreamed about by a lot of people. At first his family have weird dreams about him. Then people related to them. Then the whole world. At first the dreams make him famous. But then they take a turn for the worst. At first he is just doing nothing in those dreams. Then he is being a creep. And then he literally murders people in those dreams. Which makes the public, in the real life, react to him with greater and greater rivalry. Apart from, for some reason, people in France.
#DreamScenario #NicolasCage #film #review #movies #cinemastodon #RichardStallman #RMS
One Battle After Another 2025 is PTA doing a Machete remake
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/5/5d/One_Battle_After_Another.jpg/250px-One_Battle_After_Another.jpg)
Blender Dumbass
π 45 β€ 1 π¬ 7
In my review of Robert Rodriguez's film Machete Kills I speculated that Quentin Tarantino introduced a small reference to Grindhouse movies in Once Upon a Time... in Hollywood to fulfill a rather outlandish promise from the fake trailer of Machete 3 in the beginning of Machete Kills. That there would be a Grindhouse movie with Leonardo DiCaprio. I think Paul Thomas Anderson just beat Tarantino in this regard. His 2025 film One Battle After Another ( starring DiCaprio ) is a straight up remake of the first Machete.
#OneBattleAfterAnother #PaulThomasAnderson #LeonardoDiCaprio #film #review #movies #cinemastodon
Last Night in Soho is not quite horror if you think about it
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/e/ea/Last_Night_in_Soho_%282021%29_poster.jpg/250px-Last_Night_in_Soho_%282021%29_poster.jpg)
Blender Dumbass
π 5 β€ 3 π¬ 2
So here comes Edgar Wright, in 2021, and makes a movie that tries to be a real horror film. This must be the real shit right? Wright? Well...
#lastnightinsoho #edgarwright #film #review #movies #cinemastodon
Nosferatu (1922) Is Not Scary
![[thumbnail]](/pictures/user_upload/Troler/nosferatu.jpg)
Troler
π 23 π¬ 2
Horror and thrillers seem to be quite ubiquitous in recent times. Nosferatu, a classic from 1920s cinema, has spawned a lot of recreations, making it modern. Yet they fail to see Nosferatu is not horror... at least not in the way the term is usually used.
#GustavvonWangenheim #JohnGottowt #GretaSchroder #horror #Nosferatu #Murnau #film #movies #review #cinemastodon
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