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by Troler
Free Software fundamentally misses the point. It fails on a practical, ideological, economic, and political level. Letβs examine precisely how (in a slightly different order for the purposes of presentation).
6 Minute Read
"I like you"
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"That's very sweet of you <...>, I like you too"
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"I mean, I don't like many people"
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Seldom do I eat the same food twice, reread a book or even rewatch a movie. Barely do I ever want to rewatch the movie as I am watching it. You did not misread, not after the ending, but during the actual viewing. If you somehow didn't read the title, the movie in question is Robert Mulligan's Summer of '42.
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I came across it when I was reading Quentin Tarantino's review of 40s nostalgia pieces. What piqued my attention was the radiating love and affection for the picture and his knack for collecting film prints ("if you havenβt seen Summer of β42 projected in an I.B. Technicolor 35mm film print, you havenβt seen Summer of β42). I set down at the middle of the night and saw something I cannot unsee. Neither did the audience in 1971, since this slice-of-romance film about horny teenagers beat Dirty Harry and even Stanley Kubrick's A Clockwork Orange in the box office. To say it was impactful is an understatement.
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What was it that caught the attention of the viewers? Well, it was sex of course! Imagine this, the Sexual Revolution has swept the United States, arguing that all this restriction on sex is making people grow into perverts. The tidal shift of demographics, as brought by the Baby Boom, resulted in American cinema unshackling itself. This change is known as New Hollywood. In 1971 Robert Milligan was one of these crazy New Hollywood men. At a budget of a million (lead actress Jennifer O'Neill says it was 8 million) created relatively simple movie. Simple, yet effective. To a point where it deeply touched Kubrick ("climax of the film is quite simply one of the most devastating sequences Iβve ever witnessed (apparently Kubrick felt the same)". Do not take Tarantino's word for it, watch what Wendy is watching in The Shining
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The story follows a group of 3 ragtags Oscy (Jerry Houser), Benjie (Oliver Conant) and Hermie (Gary Grimes). All of them are a trio of lusting adolescents. They are at a stage where they want to have sex yet paternalism laws do not allow them to. Naturally that gives the same results as boiling water with the lid shut down. A good bit of the half of the movie is about teenagers being stupid bunch of horny bastards. There Hermie falls deep in love with Dorothy (Jennifer O'Neill). Hermie is 15 and Dorothy is in her 20s (the actor was 22). There is this Licorice Pizza scenario. The movie corrupts the audience into believing the relationship between a teenager and a woman is okay. WW2 is in the background: you have soldiers strolling the town, Dorothy sending her husband to France, radio broadcaster talking about the war. It is in the background... until it is not. The movie is set during 1942, it is a nostalgia piece after all. The Dorothy observed is meeting this 15 year old, while her husband is out fighting Nazis. At one point she buys flowers, keep that in your mind, it will be relevant later. For a good part of the film, the focus is on the "Terrible" trio and their quest to get laid.
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Since the budget of the film was not that high (a million), it resulted in quite simple camera arrangement. Most shots were done out-doors, resulting in less expenses on props. Since the emphasis is on the characters, the shots are done using wide lens. The movie actually becomes quite a bit darker as it progresses. I mean, literally darker. First scenes are bright, moving with life of the beach-goers. Later on you have the shabby "Terrible trio" hut, movie theater, sex during midnight. As mentioned before, it being a movie from 1971, sex in movies was still taboo. Robert Mulligan is corrupting the audience by having a scene where teenagers actually fuck during the middle of the night. None of it is displayed on the screen. It was distributed by Warner Bros. in 1971 after all.
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The music composed by Michel Legrand is nearly non-existent. It starts in the beginning, with the showcase of the important places throughout the movie and resumes only at the end. Upon the rewatch, the beginning slide-show made me tear up.
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The love between Hermie (Herman) and Dorothy (Dorothy) was, by the words of the screen writer Herman Raucher, "had effected a strange relationship". Herman, in a way is a romantic, similar to Steven Spielberg. For him love is more than just putting his sausage into girl's scissors, as did Oscar, who in character, was closer to Luc Besson with his pussy-curse. Naturally having Dorothy's husband was murdered in France, meant "she was alone on an island and drinkinβ and playing their favorite song and in walks this kid and <...> She just thought I (Herman) was him". Powered by mourning, she danced, danced with Hermie (Herman) to their favorite song and went to bed with a 15 year old kid. It was Dorothy's way of curing herself from the trauma. She was alone on island with no-one except that strange Hermie (Herman). The flowers she bought few days ago were thrown out. The vase was left empty. Not even water was present in it.
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30 years later, after the film was released, the writer received "numerous letters from women claiming to be Dorothy". One of them stood out, it had Dorothy's handwriting. The letter mentioned, she had remarried and was living in Canton, Ohio. She was intrigued what effect did she have on Herman. The letter was ended with these words: "The ghosts of that night 30 years ago are better left undisturbed."
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Tell me @BlenderDumbass , are you willing to do a psycho-sexual analysis on one horny teenager and a miserable widow?
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Fin.
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The somber tale of Summer of '42
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/18/Summer_of_%2742_POSTER.jpg)
Troler
π 12 π¬ 109
Sex and love are hard to miss on present block-busters. Even topics such as love between a child and an adult are discussed. In early 1970s and before it was hard to find films delving into such topics. A nostalgia film of that. The movie may start out light-hearted, it went deep so to make the illustrious Kubrick cry.
#Summerof42 #1942 #JenniferO'Neill #GaryGrimes #JerryHouser #RobertMulligan #HermanRaucher #film #review #movies #cinemastodon
Nosferatu (1922) Is Not Scary
![[thumbnail]](/pictures/user_upload/Troler/nosferatu.jpg)
Troler
π 23 π¬ 2
Horror and thrillers seem to be quite ubiquitous in recent times. Nosferatu, a classic from 1920s cinema, has spawned a lot of recreations, making it modern. Yet they fail to see Nosferatu is not horror... at least not in the way the term is usually used.
#GustavvonWangenheim #JohnGottowt #GretaSchroder #horror #Nosferatu #Murnau #film #movies #review #cinemastodon
Red Sonja 2025 has good story but bad execution
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/f/fb/Red_Sonja_%282025%29_official_poster.jpg/250px-Red_Sonja_%282025%29_official_poster.jpg)
Blender Dumbass
π 23 π¬ 1
I gave a look at the movie nobody seen in cinema this summer called Red Sonja, because the main character is played by Matilda Lutz, an Emilia Clarke look-alike that was very good in a Coralie Fargeat 2017 film Revenge. You may know Fargeat from her other film The Substance. Lutz was so perfect in Revenge and Revenge was so good, that I wanted to see more of Lutz. And then the trailer of Red Sonja dropped, advertising it as a yet another revenge flick, this time set in a medieval fantasy world. So of-course I was hooked.
#redsonja #film #review #movies #cinemastodon #fantasy #matildalutz
Gone in 60 Seconds ( 1974 ) is an enjoyable mess
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/0/0c/Gone_in_sixty_seconds_1974_movie_poster.jpg/250px-Gone_in_sixty_seconds_1974_movie_poster.jpg)
Blender Dumbass
π 14
Watching the Nicolas Cage and Jerry Bruckheimer remake made me extremely curious to see the original Gone in 60 Seconds. And let me tell you that, the film is impressive when it comes to the shier production value H. B. Halicki ( writer, producer, director and star ) put into this film. But on the other hand the film is very hard to follow.
#goneinsixtyseconds #hbhalicki #film #review #movies #cinemastodon
Novocaine is way more melodramatic than I expected
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/e/e8/Novocaine_%282025%29_poster.jpg/250px-Novocaine_%282025%29_poster.jpg)
Blender Dumbass
π 13
The premise of 2025 Dan Berk and Robert Olsen co-directed film Novocaine is very simple: An action adventure about a dude who doesn't feel pain. On paper it sounds like a kind of absurdist horror comedy that is constantly shocking the audiences with something that is utterly fucked up, but the joke is, the main character doesn't give a damn. And there is this, if you are looking for this, in Novocaine. But there is also more.
#novocaine #film #review #movies #cinemastodon
The Lunacy of Buckaroo Banzai
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/b/ba/Adventures_of_buckaroo_banzai.jpg/250px-Adventures_of_buckaroo_banzai.jpg)
Blender Dumbass
π 10 β€ 3 π¬ 1
Few films come close to the shier amount of WTF moments as the 1984 W. D. Richter film The Adventures of Buckaroo Banzai Across the 8th Dimension. The best way to describe this film is "WTF". Let me explain.
#BuckarooBanzai #film #review #movies #cinemastodon
Taken 2008 is Luc Besson's revenge for Man on Fire by Tony Scott
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/e/ed/Taken_film_poster.jpg)
Blender Dumbass
π 10 π¬ 2
On the surface, the 2008 movie Taken directed by Pierre Morel and written by Luc Besson ( he was busy directing Arthur cartoons ) is about how it is dangerous for little girls to be in the world. And about how awful the human trafficking is. And about how good, people who fuck up human traffickers are. But then, out of nowhere, it makes people cheer when a guy is buying an underage girl at a human trafficking auction. As if, it makes you think: Is Luc Besson just trying to show Quentin Tarantino that he is a master of corrupting the audience?
#taken #liamNeeson #LucBesson #film #review #movies #cinemastodon
Spontaneous 2020 invented a way to get horror fans to watch a teen drama.
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/f/fb/Spontaneous_%28film%29.jpg/250px-Spontaneous_%28film%29.jpg)
Blender Dumbass
π 12 π¬ 1
The premise of the directorial debut of Brian Duffield ( the director of an amazing horror film about aliens called No One Will Save You ) is, on paper, very Post Cringe. It is about a class of teenagers who spontaneously explode out of nowhere, and how little those same teenagers care about the fact that their friends blow up.
#spontaneous #film #review #movies #cinemastodon #BrianDuffield
Hollow Man 2000 takes the horror trope of not seeing the monster to a whole new level
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/e/e1/Poster_Hollow_Man.jpg/250px-Poster_Hollow_Man.jpg)
Blender Dumbass
π 12 π¬ 1
Before Kevin Bacon played a much more complex man with a psychological sexual abnormality in 2004's The Woodsman, he played a man with a psychological sexual abnormality in 2000's Hollow Man. Where the fetish is voyeurism and the crime is ghostly rape. You kind of know it is a Paul Verhoeven movie from this description.
#hollowman #paulverhoeven #film #review #kevinbacon #movies #cinemastodon
The Matrix 1999 and how people misunderstand it
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/d/db/The_Matrix.png/250px-The_Matrix.png)
Blender Dumbass
π 21 π¬ 4
"Red Pill" became the go-to word for the right-wing thinkers of the 21st century. They equate taking the "blue pill" to being ignorant. To not questioning what they believe to be "harmful" leftist ideologies. While the "red pill" is the pill towards awakening. Towards enlightenment. Or some bullshit like this. The irony is that the blue pill and red pill was taken from the 1999 film by The Wachowskis called The Matrix. By The Wachowskis, who, if you know anything about the two, are really not the kind of people who would be calling themselves "conservatives".
#thematrix #theWachowskis #film #review #movies #cinemastodon
Death Wish 1974 is a Superhero movie
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/f/f0/Death_wish_movie_poster.jpg)
Blender Dumbass
π 11 π¬ 1
Who is this character, who's family suffered from the hands of lawless criminals, and who wanders the nights in search for some of those criminals, to have his revenge? Who is this character, who is a wealthy gentleman during the day, while the "vengeance" itself during the night? Batman? No... it is Paul Kersey played by Charles Bronson in a Michael Winner 1974 film Death Wish.
#deathwish #charlesbronson #film #review #movies #cinemastodon
Nomads (1986) is quentessencially 80s Citizen Kane
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/4/49/Nomadsposter.jpg)
Troler
π 9 β€ 1 π 1 π¬ 2
The movie is not told by walking to various unreliable witnesses. The second protagonist, Dr. Eileen Flax (Lesley-Anne Down) just gets the pieces of the visions, as if this was some sort of Edgar Wright film.
#Nomad #BillConti #JohnMcTiernan #LesleyAnneDown #PierceBrosnan #AdamAnt #film #movies #review #cinemastodon
Cleaner 2025 is a feminist take on Die Hard
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/5/5f/Cleaner_2025_poster.jpg/250px-Cleaner_2025_poster.jpg)
Blender Dumbass
π 11
I heard bad things about Martin Campbell's 2025 film Cleaner starring Daisy Ridley. People found this movie dull or whatever. And then I found out that the director was indeed Martin Campbell, the guy who brought us films like Mask of Zorro and a some of the good James Bond films, like Casino Royal ( arguably the best film in the 007 franchise ). The bad things people say and the director's reputation didn't make sense together. I had to see for myself what the fuss is all about.
#cleaner #DaisyRidley #MartinCampbell #DieHard #movies #film #review #cinemastodon
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