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by Troler
Free Software fundamentally misses the point. It fails on a practical, ideological, economic, and political level. Let’s examine precisely how (in a slightly different order for the purposes of presentation).
6 Minute Read
"I like you"
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"That's very sweet of you <...>, I like you too"
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"I mean, I don't like many people"
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Seldom do I eat the same food twice, reread a book or even rewatch a movie. Barely do I ever want to rewatch the movie as I am watching it. You did not misread, not after the ending, but during the actual viewing. If you somehow didn't read the title, the movie in question is Robert Mulligan's Summer of '42.
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I came across it when I was reading Quentin Tarantino's review of 40s nostalgia pieces. What piqued my attention was the radiating love and affection for the picture and his knack for collecting film prints ("if you haven’t seen Summer of ‘42 projected in an I.B. Technicolor 35mm film print, you haven’t seen Summer of ‘42). I set down at the middle of the night and saw something I cannot unsee. Neither did the audience in 1971, since this slice-of-romance film about horny teenagers beat Dirty Harry and even Stanley Kubrick's A Clockwork Orange in the box office. To say it was impactful is an understatement.
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What was it that caught the attention of the viewers? Well, it was sex of course! Imagine this, the Sexual Revolution has swept the United States, arguing that all this restriction on sex is making people grow into perverts. The tidal shift of demographics, as brought by the Baby Boom, resulted in American cinema unshackling itself. This change is known as New Hollywood. In 1971 Robert Milligan was one of these crazy New Hollywood men. At a budget of a million (lead actress Jennifer O'Neill says it was 8 million) created relatively simple movie. Simple, yet effective. To a point where it deeply touched Kubrick ("climax of the film is quite simply one of the most devastating sequences I’ve ever witnessed (apparently Kubrick felt the same)". Do not take Tarantino's word for it, watch what Wendy is watching in The Shining
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The story follows a group of 3 ragtags Oscy (Jerry Houser), Benjie (Oliver Conant) and Hermie (Gary Grimes). All of them are a trio of lusting adolescents. They are at a stage where they want to have sex yet paternalism laws do not allow them to. Naturally that gives the same results as boiling water with the lid shut down. A good bit of the half of the movie is about teenagers being stupid bunch of horny bastards. There Hermie falls deep in love with Dorothy (Jennifer O'Neill). Hermie is 15 and Dorothy is in her 20s (the actor was 22). There is this Licorice Pizza scenario. The movie corrupts the audience into believing the relationship between a teenager and a woman is okay. WW2 is in the background: you have soldiers strolling the town, Dorothy sending her husband to France, radio broadcaster talking about the war. It is in the background... until it is not. The movie is set during 1942, it is a nostalgia piece after all. The Dorothy observed is meeting this 15 year old, while her husband is out fighting Nazis. At one point she buys flowers, keep that in your mind, it will be relevant later. For a good part of the film, the focus is on the "Terrible" trio and their quest to get laid.
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Since the budget of the film was not that high (a million), it resulted in quite simple camera arrangement. Most shots were done out-doors, resulting in less expenses on props. Since the emphasis is on the characters, the shots are done using wide lens. The movie actually becomes quite a bit darker as it progresses. I mean, literally darker. First scenes are bright, moving with life of the beach-goers. Later on you have the shabby "Terrible trio" hut, movie theater, sex during midnight. As mentioned before, it being a movie from 1971, sex in movies was still taboo. Robert Mulligan is corrupting the audience by having a scene where teenagers actually fuck during the middle of the night. None of it is displayed on the screen. It was distributed by Warner Bros. in 1971 after all.
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The music composed by Michel Legrand is nearly non-existent. It starts in the beginning, with the showcase of the important places throughout the movie and resumes only at the end. Upon the rewatch, the beginning slide-show made me tear up.
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The love between Hermie (Herman) and Dorothy (Dorothy) was, by the words of the screen writer Herman Raucher, "had effected a strange relationship". Herman, in a way is a romantic, similar to Steven Spielberg. For him love is more than just putting his sausage into girl's scissors, as did Oscar, who in character, was closer to Luc Besson with his pussy-curse. Naturally having Dorothy's husband was murdered in France, meant "she was alone on an island and drinkin’ and playing their favorite song and in walks this kid and <...> She just thought I (Herman) was him". Powered by mourning, she danced, danced with Hermie (Herman) to their favorite song and went to bed with a 15 year old kid. It was Dorothy's way of curing herself from the trauma. She was alone on island with no-one except that strange Hermie (Herman). The flowers she bought few days ago were thrown out. The vase was left empty. Not even water was present in it.
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30 years later, after the film was released, the writer received "numerous letters from women claiming to be Dorothy". One of them stood out, it had Dorothy's handwriting. The letter mentioned, she had remarried and was living in Canton, Ohio. She was intrigued what effect did she have on Herman. The letter was ended with these words: "The ghosts of that night 30 years ago are better left undisturbed."
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Tell me @BlenderDumbass , are you willing to do a psycho-sexual analysis on one horny teenager and a miserable widow?
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Fin.
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The somber tale of Summer of '42
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/18/Summer_of_%2742_POSTER.jpg)
Troler
👁 12 💬 109
Sex and love are hard to miss on present block-busters. Even topics such as love between a child and an adult are discussed. In early 1970s and before it was hard to find films delving into such topics. A nostalgia film of that. The movie may start out light-hearted, it went deep so to make the illustrious Kubrick cry.
#Summerof42 #1942 #JenniferO'Neill #GaryGrimes #JerryHouser #RobertMulligan #HermanRaucher #film #review #movies #cinemastodon
So Did Avatar 3 Use AI?
![[thumbnail]](/pictures/thumbs/avatar_ai.jpg)
Blender Dumbass
👁 40 ❤ 3 🔄 1 💬 2
While James Cameron has denied that Avatar 3: Fire and Ash used any generative AI. On January 24, 2026 Joe Letteri ( the visual effect supervisor from Weta Digital ) sat with the Corridor Crew for their weekly show of VFX Artists React where he said that the facial animation for the hero characters for both Avatar 2 and 3 involved a neural network. A neural network? Isn't that a fancy way to say "AI"?
#avatar #jamescameron #fireandash #avatarfireandash #movies #review #film #cinemastodon #ai #art #mastoart #aiart #neualnetwork
The Lunacy of Buckaroo Banzai
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/b/ba/Adventures_of_buckaroo_banzai.jpg/250px-Adventures_of_buckaroo_banzai.jpg)
Blender Dumbass
👁 10 ❤ 3 💬 1
Few films come close to the shier amount of WTF moments as the 1984 W. D. Richter film The Adventures of Buckaroo Banzai Across the 8th Dimension. The best way to describe this film is "WTF". Let me explain.
#BuckarooBanzai #film #review #movies #cinemastodon
Nosferatu (1922) Is Not Scary
![[thumbnail]](/pictures/user_upload/Troler/nosferatu.jpg)
Troler
👁 23 💬 2
Horror and thrillers seem to be quite ubiquitous in recent times. Nosferatu, a classic from 1920s cinema, has spawned a lot of recreations, making it modern. Yet they fail to see Nosferatu is not horror... at least not in the way the term is usually used.
#GustavvonWangenheim #JohnGottowt #GretaSchroder #horror #Nosferatu #Murnau #film #movies #review #cinemastodon
How didn't I know about Les Aventures extraordinaires d'Adèle Blanc-Sec?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/d/da/Adele_Blanc-sec_Louise_Bourgoin_Luc_Besson.jpg/250px-Adele_Blanc-sec_Louise_Bourgoin_Luc_Besson.jpg)
Blender Dumbass
👁 25 💬 2
D'une manière ou d'une autre, je ne connaissais pas le film de Luc Besson 2010 Les Aventures extraordinaires d'Adèle Blanc-Sec. Excusez mon français. I will continue in English now. I just had a pleasure of listening to people speak French for 2 hours straight, because I just learned about the existence of a movie that for some reason passed my radar. As you know I'm a big enough Luc Besson fan that sometimes I take his personal life blunders personally. I knew about his more obscure Arthur films. And I am anticipating his upcoming 2 films, that nobody seem to know nothing about. But somehow only now I heard about the 2010 Luc Besson film The Extraordinary Adventures of Adèle Blanc-Sec.
#adeleblancsec #lucbesson #film #review #movies #cinemastodon
Summer of '42 ( 1971 ) is about Empathy
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/1/18/Summer_of_%2742_POSTER.jpg/250px-Summer_of_%2742_POSTER.jpg)
Blender Dumbass
👁 21 ❤ 2 🔄 1 💬 8
First time I heard of the movie Summer of '42 when reading Tarantino's review of American Graffiti. In his review a large chunk is dedicated to this picture, because he is trying to illustrate the aesthetic similarities between the two pictures and the broader genre shifts of the 60s and 70s cinema landscape, that gave way to something like American Graffiti. Shortly after that, there was the review by Troler. And then finally, which made me grab my lazy ass and put it into the chair to watch this film, was a conversation I had with @Troler , where he so kindly spoiled the ending of this movie for me, while breaking down the cinematic techniques used in the film.
#summerof42 #film #review #movies #cinemastodon
The Driver 1978 is not quite the original Drive from 2011
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/a/a1/TheDriverPoster.jpg/250px-TheDriverPoster.jpg)
Blender Dumbass
👁 27 💬 6
A lot of people say that Nicolas Winding Refn's 2011 film Drive is a remake of 1978 film The Driver by Walter Hill. And to some extent it is true. Both are about a getaway driver. And both drivers are these tough, melancholic characters played by a guy who's first name is Ryan. But that seems to be about it.
#theDriver #WalterHill #action #film #movies #review #cinemastodon
Oe Uniltìrantokx säfpìl
![[thumbnail]](/pictures/user_upload/Troler/LQTGAD8VTJ01L59E.jpg)
Troler
👁 10 ❤ 2 🔄 1 💬 4
Pamrel si tsawl tspang oe, kolan, ya Eyweveng txum. Oe plltxe, filesngä'i rel arusikx kan eltu lefngap reltseo kurfyavi tawtute nemfa srer rel arusikx smaw meoauniaea Na'visì atxkxe.
#avatar #jamescameron #fireandash #avatarfireandash #movies #review #film #cinemastodon
What "Zero Motivation" tell us about the self-awareness of the IDF?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/8/81/Zero_Motivation_POSTER.jpg/250px-Zero_Motivation_POSTER.jpg)
Blender Dumbass
👁 10 ❤ 3 🔄 1 💬 8
Due to the renewed interest of the public in the conflict at the middle east, some filmmakers tried pushing and pulling a political pendulum when it comes to accepting / boycotting Israeli film-makers. It is known that film-makers ( being in the art of empathy ) usually tend to be on a progressive side. That makes a concept of an "Israeli filmmaker" a rather strange thing to fathom. But since we see filmmakers from far more restrictive parts of the middle-east find ways to speak their true minds about complex topics, despite heavy censorship, there is no shortage of progressive Israeli films. One of them Zero Motivation ( אפס ביחסי אנוש ), a tale about IDF itself, has some rather interesting points. No... Not the ones you might expect.
#אפס ביחסי אנוש #zeromotivation #film #review #movies #cinemastodon
Lethal Weapon is what happens when a good screenwriter writes his first script
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/d/d9/Lethal_weapon1.jpg/250px-Lethal_weapon1.jpg)
Blender Dumbass
👁 12
Directed by Richard Donner ( Superman, The Goonies ) from a script of Shane Black, Lethal Weapon is a film about cops. On the surface there is no concept to the movie what so ever. It is just simply a regular, straight forward police bromance. Yet somehow the movie moves.
#lethalweapon #film #review #movies #action #cinema #cinemastodon
Taken 2008 is Luc Besson's revenge for Man on Fire by Tony Scott
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/e/ed/Taken_film_poster.jpg)
Blender Dumbass
👁 10 💬 2
On the surface, the 2008 movie Taken directed by Pierre Morel and written by Luc Besson ( he was busy directing Arthur cartoons ) is about how it is dangerous for little girls to be in the world. And about how awful the human trafficking is. And about how good, people who fuck up human traffickers are. But then, out of nowhere, it makes people cheer when a guy is buying an underage girl at a human trafficking auction. As if, it makes you think: Is Luc Besson just trying to show Quentin Tarantino that he is a master of corrupting the audience?
#taken #liamNeeson #LucBesson #film #review #movies #cinemastodon
Mindlocking Trickery of Guy Ritchie's Sherlock Holmes
![[thumbnail]](/pictures/user_upload/Troler/864W0G9NI8W9YPAI.jpg)
Troler
👁 15 ❤ 1 💬 3
Pairing a mystery, where each clue matters with a director behind Revolver, where the symbolic meaning of the film is hidden unless the viewer has pen and paper, and knowledge of gematria, and Hebrew. As such, a detective movie, of Sherlock Holmes nonetheless, is quite an invigorating blend.
#SherlockHolmes #GuyRitchie #HansZimmer #RobertDowney #film #review #movies #cinemastodon
Foxtrot 2017 is a weird surrealistic tale
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/d/db/Foxtrot_%282017_film%29.jpg/250px-Foxtrot_%282017_film%29.jpg)
Blender Dumbass
👁 13
Watching Foxtrot ( a film by Samuel Maoz ) I felt a strange feeling. The film moves and feels like surrealistic horror movies by directors like Nicolas Winding Refn and Panos Cosmatos, yet the film is not a horror. It is a drama.
#foxtrot #film #review #movies #cinemastodon
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