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by Troler
Free Software fundamentally misses the point. It fails on a practical, ideological, economic, and political level. Letβs examine precisely how (in a slightly different order for the purposes of presentation).
6 Minute Read
"I like you"
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"That's very sweet of you <...>, I like you too"
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"I mean, I don't like many people"
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Seldom do I eat the same food twice, reread a book or even rewatch a movie. Barely do I ever want to rewatch the movie as I am watching it. You did not misread, not after the ending, but during the actual viewing. If you somehow didn't read the title, the movie in question is Robert Mulligan's Summer of '42.
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I came across it when I was reading Quentin Tarantino's review of 40s nostalgia pieces. What piqued my attention was the radiating love and affection for the picture and his knack for collecting film prints ("if you havenβt seen Summer of β42 projected in an I.B. Technicolor 35mm film print, you havenβt seen Summer of β42). I set down at the middle of the night and saw something I cannot unsee. Neither did the audience in 1971, since this slice-of-romance film about horny teenagers beat Dirty Harry and even Stanley Kubrick's A Clockwork Orange in the box office. To say it was impactful is an understatement.
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What was it that caught the attention of the viewers? Well, it was sex of course! Imagine this, the Sexual Revolution has swept the United States, arguing that all this restriction on sex is making people grow into perverts. The tidal shift of demographics, as brought by the Baby Boom, resulted in American cinema unshackling itself. This change is known as New Hollywood. In 1971 Robert Milligan was one of these crazy New Hollywood men. At a budget of a million (lead actress Jennifer O'Neill says it was 8 million) created relatively simple movie. Simple, yet effective. To a point where it deeply touched Kubrick ("climax of the film is quite simply one of the most devastating sequences Iβve ever witnessed (apparently Kubrick felt the same)". Do not take Tarantino's word for it, watch what Wendy is watching in The Shining
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The story follows a group of 3 ragtags Oscy (Jerry Houser), Benjie (Oliver Conant) and Hermie (Gary Grimes). All of them are a trio of lusting adolescents. They are at a stage where they want to have sex yet paternalism laws do not allow them to. Naturally that gives the same results as boiling water with the lid shut down. A good bit of the half of the movie is about teenagers being stupid bunch of horny bastards. There Hermie falls deep in love with Dorothy (Jennifer O'Neill). Hermie is 15 and Dorothy is in her 20s (the actor was 22). There is this Licorice Pizza scenario. The movie corrupts the audience into believing the relationship between a teenager and a woman is okay. WW2 is in the background: you have soldiers strolling the town, Dorothy sending her husband to France, radio broadcaster talking about the war. It is in the background... until it is not. The movie is set during 1942, it is a nostalgia piece after all. The Dorothy observed is meeting this 15 year old, while her husband is out fighting Nazis. At one point she buys flowers, keep that in your mind, it will be relevant later. For a good part of the film, the focus is on the "Terrible" trio and their quest to get laid.
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Since the budget of the film was not that high (a million), it resulted in quite simple camera arrangement. Most shots were done out-doors, resulting in less expenses on props. Since the emphasis is on the characters, the shots are done using wide lens. The movie actually becomes quite a bit darker as it progresses. I mean, literally darker. First scenes are bright, moving with life of the beach-goers. Later on you have the shabby "Terrible trio" hut, movie theater, sex during midnight. As mentioned before, it being a movie from 1971, sex in movies was still taboo. Robert Mulligan is corrupting the audience by having a scene where teenagers actually fuck during the middle of the night. None of it is displayed on the screen. It was distributed by Warner Bros. in 1971 after all.
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The music composed by Michel Legrand is nearly non-existent. It starts in the beginning, with the showcase of the important places throughout the movie and resumes only at the end. Upon the rewatch, the beginning slide-show made me tear up.
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The love between Hermie (Herman) and Dorothy (Dorothy) was, by the words of the screen writer Herman Raucher, "had effected a strange relationship". Herman, in a way is a romantic, similar to Steven Spielberg. For him love is more than just putting his sausage into girl's scissors, as did Oscar, who in character, was closer to Luc Besson with his pussy-curse. Naturally having Dorothy's husband was murdered in France, meant "she was alone on an island and drinkinβ and playing their favorite song and in walks this kid and <...> She just thought I (Herman) was him". Powered by mourning, she danced, danced with Hermie (Herman) to their favorite song and went to bed with a 15 year old kid. It was Dorothy's way of curing herself from the trauma. She was alone on island with no-one except that strange Hermie (Herman). The flowers she bought few days ago were thrown out. The vase was left empty. Not even water was present in it.
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30 years later, after the film was released, the writer received "numerous letters from women claiming to be Dorothy". One of them stood out, it had Dorothy's handwriting. The letter mentioned, she had remarried and was living in Canton, Ohio. She was intrigued what effect did she have on Herman. The letter was ended with these words: "The ghosts of that night 30 years ago are better left undisturbed."
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Tell me @BlenderDumbass , are you willing to do a psycho-sexual analysis on one horny teenager and a miserable widow?
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Fin.
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The somber tale of Summer of '42
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/18/Summer_of_%2742_POSTER.jpg)
Troler
π 16 π¬ 109
Sex and love are hard to miss on present block-busters. Even topics such as love between a child and an adult are discussed. In early 1970s and before it was hard to find films delving into such topics. A nostalgia film of that. The movie may start out light-hearted, it went deep so to make the illustrious Kubrick cry.
#Summerof42 #1942 #JenniferO'Neill #GaryGrimes #JerryHouser #RobertMulligan #HermanRaucher #film #review #movies #cinemastodon
Mickey 17 Is Painfully Obvious with the References
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/2/2d/Mickey_17_film_poster.png)
Blender Dumbass
π 39
In my opinion the gimmick on which the film was sold is not the main point. It's not even why the film was made in the first place.
#mickey17 #bongJoonHo #RobertPattinson #film #review #movies #cinemastodon
Jojo Rabbit would not be possible without Inglourious Basterds
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/a/a2/Jojo_Rabbit_%282019%29_poster.jpg)
Blender Dumbass
π 11 β€ 3 π 1 π¬ 3
Quentin Tarantino told numerous times that the two places which gave the strongest reactions to his 2009 film Inglourious Basterds were Berlin and Tel Aviv. Why? Why reactions? Well... prior to Inglourious Basterds films about the subject of conflict between Jews and Nazis in World War II were largely serious pieces of cinema. Think Schindler's List. But as I pointed out in my review of Schindler's List, there was a considerable amount of effort on the part of Steven Spielberg to make the movie actually watchable. Tarantino with Inglourious Basterds made a movie that is not merely watchable, but outright enjoyable. He made a movie about this conflict where the audience are allowed to laugh. Taika Waititi's 2019 film Jojo Rabbit takes this premise and dials it to 11.
#jojorabbit #taikawaititi #film #review #movies #cinemastodon
Con Air 1997 is Bayhem! but Rick-Rolled
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/1d/Conairinternational.jpg)
Blender Dumbass
π 12 π¬ 2
Producer Jerry Bruckheimer didn't only work with the legendary Michael Bay. He worked with other legends too, like Tony Scott and in the case of Con Air Simon West who directed the Rick Astley music video Never Gonna Give You Up. Yet probably due to it being the first collaboration of Bruckheimer and West ( because it is West's directorial debut when it comes to feature films ), Bruckheimer steered him a bit to copy a style of another director he worked with. Michael Bay.
#conair #nicolascage #simonwest #film #review #movies #cinemastodon
Summer of '42 ( 1971 ) is about Empathy
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/1/18/Summer_of_%2742_POSTER.jpg/250px-Summer_of_%2742_POSTER.jpg)
Blender Dumbass
π 25 β€ 2 π 1 π¬ 8
First time I heard of the movie Summer of '42 when reading Tarantino's review of American Graffiti. In his review a large chunk is dedicated to this picture, because he is trying to illustrate the aesthetic similarities between the two pictures and the broader genre shifts of the 60s and 70s cinema landscape, that gave way to something like American Graffiti. Shortly after that, there was the review by Troler. And then finally, which made me grab my lazy ass and put it into the chair to watch this film, was a conversation I had with @Troler , where he so kindly spoiled the ending of this movie for me, while breaking down the cinematic techniques used in the film.
#summerof42 #film #review #movies #cinemastodon
She Rides Shotgun 2025 is a hidden gem of near perfection
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/7/7d/She_Rides_Shotgun_poster.jpg/250px-She_Rides_Shotgun_poster.jpg)
Blender Dumbass
π 17 β€ 1 π¬ 22
I'm furious! How the fuck nobody knows about the 2025 Nick Rowland film She Rides Shotgun starring Ana Sophia Heger and Taron Egerton? What the fuck is this? This movie is so good, yet because studio-heads apparently didn't get it, there was no advertising for it. And only a limited theatrical run. Which resulted in very little people seeing the damn film in the cinema. This fucking film! Are you fucking kidding me? They have fucking best picture Oscar material, and yet they try to hide it from everybody? What the fuck is wrong with you, Lionsgate? Fuck!
#SheRidesShotgun #AnaSophiaHeger #TaronEgerton #film #review #movies #cinemastodon
Predator 1987 was always a B-movie
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/9/95/Predator_Movie.jpg/250px-Predator_Movie.jpg)
Blender Dumbass
π 23 π¬ 3
As I observed in my review of Predator 2, the Predator films feel very B-movie-like. And the first film, John McTiernan's 1987 Predator is not an exception.
#predator #horror #ArnoldSchwarzenegger #film #review #movies #cinemastodon
Those blasted lens flares in Star Trek Into Darkness
![[thumbnail]](https://upload.wikimedia.org/wikipedia/uk/d/db/%D0%A1%D1%82%D0%B0%D1%80%D1%82%D1%80%D0%B5%D0%BA_-_%D0%92%D1%96%D0%B4%D0%BF%D0%BB%D0%B0%D1%82%D0%B0.png?utm_source=uk.wikipedia.org&utm_campaign=imageinfo&utm_content=thumbnail_unscaled)
Troler
π 7 π¬ 1
To the people complaining, the concerns are understood. There was especially a gross breach of them during a big and important speech. People complained, so he stopped with them. Even for such an impediment...
#startrek #jjabrams #film #review #movies #cinemastodon
Last Night in Soho is not quite horror if you think about it
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/e/ea/Last_Night_in_Soho_%282021%29_poster.jpg/250px-Last_Night_in_Soho_%282021%29_poster.jpg)
Blender Dumbass
π 6 β€ 3 π¬ 2
So here comes Edgar Wright, in 2021, and makes a movie that tries to be a real horror film. This must be the real shit right? Wright? Well...
#lastnightinsoho #edgarwright #film #review #movies #cinemastodon
Domino 2005 is Tony-Scott-hem!
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/1/10/Dominoposter.jpg/250px-Dominoposter.jpg)
Blender Dumbass
π 23 π¬ 1
Tony Scott appeared to be trying to outgrow Michael Bay in the 2000s. In 2001 he does Spy Game which is a kind of slightly bayhem-ish movie. Where Tony Scott is no longer trying to make pretty pictures, but is trying to go for ultimate intensity. His Enemy of the State before that, is still more of a classic Tony Scott. While making Spy Game his brother Ridley Scott was making Black Hawk Down while Michael Bay was making Pearl Harbor. While Pearl Harbor has the Bay's explosions and stuff, the colors of the film still look relatively normal. Only his next film ( 2003 Bay Boys II ) go crazy with colors. Spy Game, while being more energetic in directing and editing department, than even Enemy of the State still looks like a normal movie, albeit it is a little desaturated. But Black Hawk Down ( probably in attempt of messing with Spielberg's Saving Private Ryan ) is super moody, with extreme contrast and intense colors. A thing that Michael Bay tries to replicate right away for Bad Boys II and then Tony Scott also replicated for Man on Fire in 2004. And then on Domino in 2005, Tony Scott goes even harder with the style. While Bay is doing roughly the same thing in his own way in The Island.
#Domino #TonyScott #MichaelBay #movies #film #review #cinemastodon
Hatred and Love of Putin in How To Divorce During Wartime
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/2/2e/How_to_Divorce_During_the_War.jpg?utm_source=en.wikipedia.org&utm_campaign=parser&utm_content=thumbnail_unscaled)
Troler
π 5 β€ 1 π¬ 7
Suppose a family, fleeting from abuse, comes seeking shelter. Do you hesitate to take them in, provide for the basic needs, when the cause of their hardship is an old nemesis of yours. One whose family and yours have been at war since time memorial.
#lithuania #russia #ukraine #war #AndriusBlazevicius #MarijaRazgute #film #films #review #movies #movie #cinemastodon
Black Hawk Down ( 2001 ) tries hard to beat Saving Private Ryan
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/0/0c/Black_hawk_down_ver1.jpg/250px-Black_hawk_down_ver1.jpg)
Blender Dumbass
π 10 π¬ 2
In 1998 Steven Spielberg shocked the cinematic frontier with his film Saving Private Ryan which had one of the most brutal depictions of warfare, with its opening battle-scene. This caused a small shift in the ways Hollywood was trying to cinematically portray war. And who's better than Ridley Scott, to attempt at beating Spielberg at war footage. Which he tried to do with his 2001 film Black Hawk Down.
#blackhawkdown #ridleyscott #film #review #movies #cinemastodon
Peter Berg's Battleship 2012 is a strange mix of stupidity and amazingness
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/6/6e/Battleship_Poster.jpg)
Blender Dumbass
π 11 β€ 3 π 1 π¬ 5
After Michael Bay made a hit out of Transformers, Hasbro ( who made the toys, Transformers were based on ) decided that it would be a good idea to make more, similar films, based on other Hasbro toys. So they chose to adopt, fucking Battleship. Really?
#battleship #peterberg #hasbro #film #review #movies #cinemastodon #rihanna #liamneeson #JessePlemons #AlexanderSkarsgard
Schindler's List 1993 and how Spielberg was perfect to tell this story
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/3/38/Schindler%27s_List_movie.jpg)
Blender Dumbass
π 27 β€ 5 π 1 π¬ 1
As a kid I did not understand the need for movies like Schindler's List. Growing up Jewish I knew about the Holocaust. I knew about the Nazis and heard stories about stuff they did. But movies in my childhood brain were firmly just a form of entertainment. What entertainment is there if you are watching people suffer? Yet as I explain in my other article at about 14 I got to a rather strange point in my life, when everything dark and real became important. That's when I saw Schindler's List for the first time. That's when a film that is not made for entertainment suddenly started making sense.
#schindlerslist #oscarschindler #stevenspielberg #spielberg #holocaust #film #review #movies #cinemastodon
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