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by Troler
Free Software fundamentally misses the point. It fails on a practical, ideological, economic, and political level. Letās examine precisely how (in a slightly different order for the purposes of presentation).
6 Minute Read
"I like you"
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"That's very sweet of you <...>, I like you too"
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"I mean, I don't like many people"
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Seldom do I eat the same food twice, reread a book or even rewatch a movie. Barely do I ever want to rewatch the movie as I am watching it. You did not misread, not after the ending, but during the actual viewing. If you somehow didn't read the title, the movie in question is Robert Mulligan's Summer of '42.
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I came across it when I was reading Quentin Tarantino's review of 40s nostalgia pieces. What piqued my attention was the radiating love and affection for the picture and his knack for collecting film prints ("if you havenāt seen Summer of ā42 projected in an I.B. Technicolor 35mm film print, you havenāt seen Summer of ā42). I set down at the middle of the night and saw something I cannot unsee. Neither did the audience in 1971, since this slice-of-romance film about horny teenagers beat Dirty Harry and even Stanley Kubrick's A Clockwork Orange in the box office. To say it was impactful is an understatement.
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What was it that caught the attention of the viewers? Well, it was sex of course! Imagine this, the Sexual Revolution has swept the United States, arguing that all this restriction on sex is making people grow into perverts. The tidal shift of demographics, as brought by the Baby Boom, resulted in American cinema unshackling itself. This change is known as New Hollywood. In 1971 Robert Milligan was one of these crazy New Hollywood men. At a budget of a million (lead actress Jennifer O'Neill says it was 8 million) created relatively simple movie. Simple, yet effective. To a point where it deeply touched Kubrick ("climax of the film is quite simply one of the most devastating sequences Iāve ever witnessed (apparently Kubrick felt the same)". Do not take Tarantino's word for it, watch what Wendy is watching in The Shining
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The story follows a group of 3 ragtags Oscy (Jerry Houser), Benjie (Oliver Conant) and Hermie (Gary Grimes). All of them are a trio of lusting adolescents. They are at a stage where they want to have sex yet paternalism laws do not allow them to. Naturally that gives the same results as boiling water with the lid shut down. A good bit of the half of the movie is about teenagers being stupid bunch of horny bastards. There Hermie falls deep in love with Dorothy (Jennifer O'Neill). Hermie is 15 and Dorothy is in her 20s (the actor was 22). There is this Licorice Pizza scenario. The movie corrupts the audience into believing the relationship between a teenager and a woman is okay. WW2 is in the background: you have soldiers strolling the town, Dorothy sending her husband to France, radio broadcaster talking about the war. It is in the background... until it is not. The movie is set during 1942, it is a nostalgia piece after all. The Dorothy observed is meeting this 15 year old, while her husband is out fighting Nazis. At one point she buys flowers, keep that in your mind, it will be relevant later. For a good part of the film, the focus is on the "Terrible" trio and their quest to get laid.
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Since the budget of the film was not that high (a million), it resulted in quite simple camera arrangement. Most shots were done out-doors, resulting in less expenses on props. Since the emphasis is on the characters, the shots are done using wide lens. The movie actually becomes quite a bit darker as it progresses. I mean, literally darker. First scenes are bright, moving with life of the beach-goers. Later on you have the shabby "Terrible trio" hut, movie theater, sex during midnight. As mentioned before, it being a movie from 1971, sex in movies was still taboo. Robert Mulligan is corrupting the audience by having a scene where teenagers actually fuck during the middle of the night. None of it is displayed on the screen. It was distributed by Warner Bros. in 1971 after all.
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The music composed by Michel Legrand is nearly non-existent. It starts in the beginning, with the showcase of the important places throughout the movie and resumes only at the end. Upon the rewatch, the beginning slide-show made me tear up.
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The love between Hermie (Herman) and Dorothy (Dorothy) was, by the words of the screen writer Herman Raucher, "had effected a strange relationship". Herman, in a way is a romantic, similar to Steven Spielberg. For him love is more than just putting his sausage into girl's scissors, as did Oscar, who in character, was closer to Luc Besson with his pussy-curse. Naturally having Dorothy's husband was murdered in France, meant "she was alone on an island and drinkinā and playing their favorite song and in walks this kid and <...> She just thought I (Herman) was him". Powered by mourning, she danced, danced with Hermie (Herman) to their favorite song and went to bed with a 15 year old kid. It was Dorothy's way of curing herself from the trauma. She was alone on island with no-one except that strange Hermie (Herman). The flowers she bought few days ago were thrown out. The vase was left empty. Not even water was present in it.
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30 years later, after the film was released, the writer received "numerous letters from women claiming to be Dorothy". One of them stood out, it had Dorothy's handwriting. The letter mentioned, she had remarried and was living in Canton, Ohio. She was intrigued what effect did she have on Herman. The letter was ended with these words: "The ghosts of that night 30 years ago are better left undisturbed."
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Tell me @BlenderDumbass , are you willing to do a psycho-sexual analysis on one horny teenager and a miserable widow?
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Fin.
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The somber tale of Summer of '42
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/18/Summer_of_%2742_POSTER.jpg)
Troler
š 12 š¬ 109
Sex and love are hard to miss on present block-busters. Even topics such as love between a child and an adult are discussed. In early 1970s and before it was hard to find films delving into such topics. A nostalgia film of that. The movie may start out light-hearted, it went deep so to make the illustrious Kubrick cry.
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Transformers 4 is a ballsy brave film
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/0/0f/Transformers_Age_of_Extinction_poster.jpg/220px-Transformers_Age_of_Extinction_poster.jpg)
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The heart was blackened with tears from Kaouther Ben Hania's feature film The Voice of Hind Rajab. The choice of the story being told about Hind Rami Iyad Rajab was lead by the individual need to speak out. The director wasn't the only one to do so in big screen form.
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Black Swan 2010 is Aronofsky trying to outcompete Charlie Kaufman
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/6/68/Black_Swan_poster.jpg)
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2002 Spike Jonze film Adaptation ( written by Charlie Kaufman ) is a story about a guy named Charlie Kaufman who is tasked with adapting an article about flowers into a Hollywood picture. And the best he can do is to make a meta-adaptation, where the movie you are watching is the story of writing the movie you are watching. 2010 Darren Aronofsky film Black Swan is a similar kind of meta-adaptation, this time of a Swan Lake ( ŠŠµŠ±ŠµŠ“иное Š¾Š·ŠµŃо ) by Tchaikovsky. While in the same time being a movie about adopting Swan Lake.
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Dream Scenario 2023 is about Richard Stallman?
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Kristoffer Borgli's 2023 film Dream Scenario starring Nicolas Cage is a movie about a man, who is being dreamed about by a lot of people. At first his family have weird dreams about him. Then people related to them. Then the whole world. At first the dreams make him famous. But then they take a turn for the worst. At first he is just doing nothing in those dreams. Then he is being a creep. And then he literally murders people in those dreams. Which makes the public, in the real life, react to him with greater and greater rivalry. Apart from, for some reason, people in France.
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Once Upon a Time... In Hollywood 2019 is Tarantino respecting the audience
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People often complain about dumb movies with too much unnecessary spoon-feeding. We get so much explaining and over-explaining that the brain hurts sometimes. You already know what is going on. You are following the story. You don't need no god damned reminder of what you are watching. And yet the studio heads still think that you are too dumb to understand what's going on in front of you on the screen. Respecting the audience on the other hand is a leap of faith on a part of a film-maker and only the greatest do that well. Quentin Tarantino with his 2019 film Once Upon a Time... in Hollywood takes the hardest such leap of his career.
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The Eight Wonder of Cinema is King Kong 1933
![[thumbnail]](https://upload.wikimedia.org/wikipedia/commons/f/f3/Kingkongposter.jpg)
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The 1933 film itself is not too special. For its time, there's a lot to laud. Comparing what Peter Jackson would do later, there's night and day. I do not mean the special effects, which are exceptional.
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/5/5c/Don%27t_Look_Up_2021_film.jpg)
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![[thumbnail]](/pictures/user_upload/Troler/LTQZI6WA62O2EPCB.jpg)
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![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/a/af/The_BFG_poster.jpg)
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