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by Troler
Free Software fundamentally misses the point. It fails on a practical, ideological, economic, and political level. Letโs examine precisely how (in a slightly different order for the purposes of presentation).
6 Minute Read
"I like you"
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"That's very sweet of you <...>, I like you too"
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"I mean, I don't like many people"
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Seldom do I eat the same food twice, reread a book or even rewatch a movie. Barely do I ever want to rewatch the movie as I am watching it. You did not misread, not after the ending, but during the actual viewing. If you somehow didn't read the title, the movie in question is Robert Mulligan's Summer of '42.
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I came across it when I was reading Quentin Tarantino's review of 40s nostalgia pieces. What piqued my attention was the radiating love and affection for the picture and his knack for collecting film prints ("if you havenโt seen Summer of โ42 projected in an I.B. Technicolor 35mm film print, you havenโt seen Summer of โ42). I set down at the middle of the night and saw something I cannot unsee. Neither did the audience in 1971, since this slice-of-romance film about horny teenagers beat Dirty Harry and even Stanley Kubrick's A Clockwork Orange in the box office. To say it was impactful is an understatement.
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What was it that caught the attention of the viewers? Well, it was sex of course! Imagine this, the Sexual Revolution has swept the United States, arguing that all this restriction on sex is making people grow into perverts. The tidal shift of demographics, as brought by the Baby Boom, resulted in American cinema unshackling itself. This change is known as New Hollywood. In 1971 Robert Milligan was one of these crazy New Hollywood men. At a budget of a million (lead actress Jennifer O'Neill says it was 8 million) created relatively simple movie. Simple, yet effective. To a point where it deeply touched Kubrick ("climax of the film is quite simply one of the most devastating sequences Iโve ever witnessed (apparently Kubrick felt the same)". Do not take Tarantino's word for it, watch what Wendy is watching in The Shining
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The story follows a group of 3 ragtags Oscy (Jerry Houser), Benjie (Oliver Conant) and Hermie (Gary Grimes). All of them are a trio of lusting adolescents. They are at a stage where they want to have sex yet paternalism laws do not allow them to. Naturally that gives the same results as boiling water with the lid shut down. A good bit of the half of the movie is about teenagers being stupid bunch of horny bastards. There Hermie falls deep in love with Dorothy (Jennifer O'Neill). Hermie is 15 and Dorothy is in her 20s (the actor was 22). There is this Licorice Pizza scenario. The movie corrupts the audience into believing the relationship between a teenager and a woman is okay. WW2 is in the background: you have soldiers strolling the town, Dorothy sending her husband to France, radio broadcaster talking about the war. It is in the background... until it is not. The movie is set during 1942, it is a nostalgia piece after all. The Dorothy observed is meeting this 15 year old, while her husband is out fighting Nazis. At one point she buys flowers, keep that in your mind, it will be relevant later. For a good part of the film, the focus is on the "Terrible" trio and their quest to get laid.
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Since the budget of the film was not that high (a million), it resulted in quite simple camera arrangement. Most shots were done out-doors, resulting in less expenses on props. Since the emphasis is on the characters, the shots are done using wide lens. The movie actually becomes quite a bit darker as it progresses. I mean, literally darker. First scenes are bright, moving with life of the beach-goers. Later on you have the shabby "Terrible trio" hut, movie theater, sex during midnight. As mentioned before, it being a movie from 1971, sex in movies was still taboo. Robert Mulligan is corrupting the audience by having a scene where teenagers actually fuck during the middle of the night. None of it is displayed on the screen. It was distributed by Warner Bros. in 1971 after all.
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The music composed by Michel Legrand is nearly non-existent. It starts in the beginning, with the showcase of the important places throughout the movie and resumes only at the end. Upon the rewatch, the beginning slide-show made me tear up.
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The love between Hermie (Herman) and Dorothy (Dorothy) was, by the words of the screen writer Herman Raucher, "had effected a strange relationship". Herman, in a way is a romantic, similar to Steven Spielberg. For him love is more than just putting his sausage into girl's scissors, as did Oscar, who in character, was closer to Luc Besson with his pussy-curse. Naturally having Dorothy's husband was murdered in France, meant "she was alone on an island and drinkinโ and playing their favorite song and in walks this kid and <...> She just thought I (Herman) was him". Powered by mourning, she danced, danced with Hermie (Herman) to their favorite song and went to bed with a 15 year old kid. It was Dorothy's way of curing herself from the trauma. She was alone on island with no-one except that strange Hermie (Herman). The flowers she bought few days ago were thrown out. The vase was left empty. Not even water was present in it.
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30 years later, after the film was released, the writer received "numerous letters from women claiming to be Dorothy". One of them stood out, it had Dorothy's handwriting. The letter mentioned, she had remarried and was living in Canton, Ohio. She was intrigued what effect did she have on Herman. The letter was ended with these words: "The ghosts of that night 30 years ago are better left undisturbed."
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Tell me @BlenderDumbass , are you willing to do a psycho-sexual analysis on one horny teenager and a miserable widow?
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Fin.
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The somber tale of Summer of '42
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/18/Summer_of_%2742_POSTER.jpg)
Troler
๐ 12 ๐ฌ 109
Sex and love are hard to miss on present block-busters. Even topics such as love between a child and an adult are discussed. In early 1970s and before it was hard to find films delving into such topics. A nostalgia film of that. The movie may start out light-hearted, it went deep so to make the illustrious Kubrick cry.
#Summerof42 #1942 #JenniferO'Neill #GaryGrimes #JerryHouser #RobertMulligan #HermanRaucher #film #review #movies #cinemastodon
Hollow Man 2000 takes the horror trope of not seeing the monster to a whole new level
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/e/e1/Poster_Hollow_Man.jpg/250px-Poster_Hollow_Man.jpg)
Blender Dumbass
๐ 12 ๐ฌ 1
Before Kevin Bacon played a much more complex man with a psychological sexual abnormality in 2004's The Woodsman, he played a man with a psychological sexual abnormality in 2000's Hollow Man. Where the fetish is voyeurism and the crime is ghostly rape. You kind of know it is a Paul Verhoeven movie from this description.
#hollowman #paulverhoeven #film #review #kevinbacon #movies #cinemastodon
Kill Bill is quite a chill
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/c/c4/Kill_Bill_Volume_2.png)
Troler
๐ 10 โค 2 ๐ฌ 2
Kill Bill is a reference loaded film. The director lives in cinema, after all. At one point, the Bill of Kill Bill (David Carradine) reviews Superman, during a monologue with the presence of the protagonist Beatrix Kiddo (Uma Thurman). The said review made sense inside of the given scene, it made sense within the given plot. What if anything it was a flex. Q. Tarantino spoke through Bill about Superman and millions of people heard him. It could be argued, his most popular review... was part of a martial arts movie.
#killbill #quentintarantino #tarantino #film #review #movies #cinemastodon
Final Destination 2 is a parody of itself
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/d/dd/Final_destination_two.jpg)
Blender Dumbass
๐ 15
The second installment in the Final Destination saga is different from the first film. While the first film was breathing mystery and suspense, this time around, the film feels almost like a slapstick comedy, if not for the gruesome deaths.
#finaldestination #DavidREllis #film #movies #review #cinemastodon
American Graffiti 1973 is some strong shit
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/e/e6/American_graffiti_ver1.jpg)
Blender Dumbass
๐ 14
You will probably laugh at me right now, but so far I've seen 1973 George Lucas film American Graffiti just twice. First time I stopped at about 25 minute mark, not getting the hype around the movie. This time I decided to get through to the end, no matter what it takes. And believe me, if you are not laughing at me right now, you don't understand. This is fucked up! Holy fucking shit!!! I see it now!!! I see it!
#americanGrafitti #GeorgeLucas #HarrisonFord #movies #film #review #cinemastodon
Star Trek 2009 is when you mix Spielberg with Michael Bay
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/2/29/Startrekposter.jpg/250px-Startrekposter.jpg)
Blender Dumbass
๐ 12 ๐ฌ 1
I have a soft spot for J. J. Abrams. His masterpiece Super 8 inspired me greatly to develop film-projects when I was a teenager. But his 2009 other masterpiece Star Trek ( together with 2009'th other Sci-Fi masterpiece Avatar by James Cameron ) is what pretty much started my obsession with space movies.
#startrek #jjabrams #film #review #movies #cinemastodon
The Texas Chain Saw Massacre 1974 or the pioneer in ultraviolence
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/a/a0/The_Texas_Chain_Saw_Massacre_%281974%29_theatrical_poster.jpg)
Blender Dumbass
๐ 19 ๐ฌ 2
If today we have a lot of films to choose from when we want to shock ourselves beyond believe: from barely serious, yet distrusting films by Eli Roth through intense hyper-violence by Coralie Fargeat or depressing looks at the world by Lars Von Trier all the way to deranged films like The Serbian Film, in 1970s you had probably only one true contender for such a level of derangeness. And it was the Tobe Hooper's 1974 film The Texas Chain Saw Massacre.
#TheTexasChainSawMassacre #TobeHooper #Horror #film #review #movies #cinemastodon
13 Hours is Michael Bay at his most serious
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/a/a2/13_Hours_poster.png/250px-13_Hours_poster.png)
Blender Dumbass
๐ 12 โค 1 ๐ฌ 6
There are two modes for Michael Bay: The playful mode of him having fun. This is the Bay of Bad Boys and Transformers. And a serious mode. That is the Michael Bay of films like Ambulance, Pearl Harbor and 13 Hours: The Secret Soldiers of Benghazi. The latter of which is his most serious film ever.
#MichaelBay #13Hours #Benghazi #film #review #movies #cinemastodon #juliabutters
Gone in 60 Seconds ( 2000 ) is better than it's rating suggests
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/2/2a/Gone_in_sixty_seconds.jpg/250px-Gone_in_sixty_seconds.jpg)
Blender Dumbass
๐ 8 ๐ฌ 103
What is it with Jerry Bruckheimer of the late 90s and early 2000s and with Nicolas Cage? First in 96 we get Michael Bay's The Rock. A year later in 97 Jerry puts Cage in Simon West's Con Air. And then in 2000 Dominic Sena under the supervision of Bruckheimer puts Nicolas out of his Cage and into a driver's seat of 1967 Ford Shelby GT500, in the subject of this review, the loose remake of H. B. Halicki 1974 film Gone in 60 Seconds.
#goneinsixtyseconds #nicolascage #angelinajolie #film #review #movies #cinemastodon
What "Zero Motivation" tell us about the self-awareness of the IDF?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/8/81/Zero_Motivation_POSTER.jpg/250px-Zero_Motivation_POSTER.jpg)
Blender Dumbass
๐ 10 โค 3 ๐ 1 ๐ฌ 8
Due to the renewed interest of the public in the conflict at the middle east, some filmmakers tried pushing and pulling a political pendulum when it comes to accepting / boycotting Israeli film-makers. It is known that film-makers ( being in the art of empathy ) usually tend to be on a progressive side. That makes a concept of an "Israeli filmmaker" a rather strange thing to fathom. But since we see filmmakers from far more restrictive parts of the middle-east find ways to speak their true minds about complex topics, despite heavy censorship, there is no shortage of progressive Israeli films. One of them Zero Motivation ( ืืคืก ืืืืกื ืื ืืฉ ), a tale about IDF itself, has some rather interesting points. No... Not the ones you might expect.
#ืืคืก ืืืืกื ืื ืืฉ #zeromotivation #film #review #movies #cinemastodon
Is Hancock 2008 about the tragedy of rejection?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/c/c9/Hancockposter.jpg/250px-Hancockposter.jpg)
Blender Dumbass
๐ 7 โค 2 ๐ฌ 3
Mary Embrey, the blonde woman played by Charlize Theron in the 2008 Peter Berg film Hancock, is surprisingly good looking. For the few people who read through the psycho-sexual analysis of me, you may know that for me in general, the name Mary, or the Latin version of it Maria, or the Russian version of it Masha, especially connected to a blonde, good looking woman, is very important. And yet, back when I saw Hancock for the first time. I didn't quite realize how important it is.
#hancock #peterberg #willsmith #charlizetheron #film #review #movies #cinemastodon
Alien VS Predator 2004 is a Predator 2 sequel
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/f/f7/Avpmovie.jpg/250px-Avpmovie.jpg)
Blender Dumbass
๐ 14
In my Predator 2 review I observed that the merger of Alien and Predator franchises was not a Paul W. S. Anderson's ( the director of AVP ) fault, since even that movie already had a lot of Alien references in it, including a Xenomorph scull. So it was almost expected by this point that the next movie in the franchise would feature Xenomorphs.
#Alien #predator #AVP #film #review #horror #movies #cinemastodon
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