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by Troler
Free Software fundamentally misses the point. It fails on a practical, ideological, economic, and political level. Letβs examine precisely how (in a slightly different order for the purposes of presentation).
6 Minute Read
"I like you"
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"That's very sweet of you <...>, I like you too"
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"I mean, I don't like many people"
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Seldom do I eat the same food twice, reread a book or even rewatch a movie. Barely do I ever want to rewatch the movie as I am watching it. You did not misread, not after the ending, but during the actual viewing. If you somehow didn't read the title, the movie in question is Robert Mulligan's Summer of '42.
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I came across it when I was reading Quentin Tarantino's review of 40s nostalgia pieces. What piqued my attention was the radiating love and affection for the picture and his knack for collecting film prints ("if you havenβt seen Summer of β42 projected in an I.B. Technicolor 35mm film print, you havenβt seen Summer of β42). I set down at the middle of the night and saw something I cannot unsee. Neither did the audience in 1971, since this slice-of-romance film about horny teenagers beat Dirty Harry and even Stanley Kubrick's A Clockwork Orange in the box office. To say it was impactful is an understatement.
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What was it that caught the attention of the viewers? Well, it was sex of course! Imagine this, the Sexual Revolution has swept the United States, arguing that all this restriction on sex is making people grow into perverts. The tidal shift of demographics, as brought by the Baby Boom, resulted in American cinema unshackling itself. This change is known as New Hollywood. In 1971 Robert Milligan was one of these crazy New Hollywood men. At a budget of a million (lead actress Jennifer O'Neill says it was 8 million) created relatively simple movie. Simple, yet effective. To a point where it deeply touched Kubrick ("climax of the film is quite simply one of the most devastating sequences Iβve ever witnessed (apparently Kubrick felt the same)". Do not take Tarantino's word for it, watch what Wendy is watching in The Shining
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The story follows a group of 3 ragtags Oscy (Jerry Houser), Benjie (Oliver Conant) and Hermie (Gary Grimes). All of them are a trio of lusting adolescents. They are at a stage where they want to have sex yet paternalism laws do not allow them to. Naturally that gives the same results as boiling water with the lid shut down. A good bit of the half of the movie is about teenagers being stupid bunch of horny bastards. There Hermie falls deep in love with Dorothy (Jennifer O'Neill). Hermie is 15 and Dorothy is in her 20s (the actor was 22). There is this Licorice Pizza scenario. The movie corrupts the audience into believing the relationship between a teenager and a woman is okay. WW2 is in the background: you have soldiers strolling the town, Dorothy sending her husband to France, radio broadcaster talking about the war. It is in the background... until it is not. The movie is set during 1942, it is a nostalgia piece after all. The Dorothy observed is meeting this 15 year old, while her husband is out fighting Nazis. At one point she buys flowers, keep that in your mind, it will be relevant later. For a good part of the film, the focus is on the "Terrible" trio and their quest to get laid.
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Since the budget of the film was not that high (a million), it resulted in quite simple camera arrangement. Most shots were done out-doors, resulting in less expenses on props. Since the emphasis is on the characters, the shots are done using wide lens. The movie actually becomes quite a bit darker as it progresses. I mean, literally darker. First scenes are bright, moving with life of the beach-goers. Later on you have the shabby "Terrible trio" hut, movie theater, sex during midnight. As mentioned before, it being a movie from 1971, sex in movies was still taboo. Robert Mulligan is corrupting the audience by having a scene where teenagers actually fuck during the middle of the night. None of it is displayed on the screen. It was distributed by Warner Bros. in 1971 after all.
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The music composed by Michel Legrand is nearly non-existent. It starts in the beginning, with the showcase of the important places throughout the movie and resumes only at the end. Upon the rewatch, the beginning slide-show made me tear up.
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The love between Hermie (Herman) and Dorothy (Dorothy) was, by the words of the screen writer Herman Raucher, "had effected a strange relationship". Herman, in a way is a romantic, similar to Steven Spielberg. For him love is more than just putting his sausage into girl's scissors, as did Oscar, who in character, was closer to Luc Besson with his pussy-curse. Naturally having Dorothy's husband was murdered in France, meant "she was alone on an island and drinkinβ and playing their favorite song and in walks this kid and <...> She just thought I (Herman) was him". Powered by mourning, she danced, danced with Hermie (Herman) to their favorite song and went to bed with a 15 year old kid. It was Dorothy's way of curing herself from the trauma. She was alone on island with no-one except that strange Hermie (Herman). The flowers she bought few days ago were thrown out. The vase was left empty. Not even water was present in it.
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30 years later, after the film was released, the writer received "numerous letters from women claiming to be Dorothy". One of them stood out, it had Dorothy's handwriting. The letter mentioned, she had remarried and was living in Canton, Ohio. She was intrigued what effect did she have on Herman. The letter was ended with these words: "The ghosts of that night 30 years ago are better left undisturbed."
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Tell me @BlenderDumbass , are you willing to do a psycho-sexual analysis on one horny teenager and a miserable widow?
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Fin.
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The somber tale of Summer of '42
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/18/Summer_of_%2742_POSTER.jpg)
Troler
π 16 π¬ 109
Sex and love are hard to miss on present block-busters. Even topics such as love between a child and an adult are discussed. In early 1970s and before it was hard to find films delving into such topics. A nostalgia film of that. The movie may start out light-hearted, it went deep so to make the illustrious Kubrick cry.
#Summerof42 #1942 #JenniferO'Neill #GaryGrimes #JerryHouser #RobertMulligan #HermanRaucher #film #review #movies #cinemastodon
Is Idiocracy 2006 intentionally stupid?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/6/6b/Idiocracy_movie_poster.jpg)
Blender Dumbass
π 11 β€ 2 π¬ 2
We all know about absolute cinematic masterpieces like The Room by the legendary Tommy Wiseau. Films that were intended to be great works of cinema, but that failed so miserably at achieving their goal, that they spawn all the way around the scale and became great works of cinema, by mistake, anyway. But then there are films like The Grindhouse movies, or Black Dynamite, or Wiseau's sequel to Samurai Cop, who's goal was to be those intentionally terrible pieces of crap, from the get go. Is Idiocracy by Mike Judge from the first type of terrible movies, or from the second, intentional one? Is Idiocracy intentionally stupid?
#idiocracy #film #review #movies #cinemastodon
Spaceballs takes the Jews vs Nazis theme to a whole new sexual climax
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/4/45/Spaceballs.jpg/250px-Spaceballs.jpg)
Blender Dumbass
π 31 π¬ 1
Jewish filmmakers like to poke fun at Nazis. Spielberg did that with Indiana Jones and Mel Brooks does it here with Spaceballs. But unlike the original Star Wars for which Spaceballs is almost direct parody, Brooks goes onto another level to measure pipis with the Nazis.
#spaceballs #film #review #movies #cinemastodon #comedy #starwars #melbrooks
Max Fleischer's Superman flew to the Sun and didn't fall
![[thumbnail]](/pictures/user_upload/Troler/HZP91B02YOJ1O5W3.jpg)
Troler
π 27 β€ 1 π¬ 1
Oh Superman, who hasn't heard the story of the classic American superhero? Even in this coming-to-close year Superman still stories are being told. Knowing that 2038 the superhero is going to be a century old, it would be good to reflect on history, where it really started. It was born in the head of then 24 Jerry Siegel, child to American immigrant Lithuanian Jews, who fled oppression. Growing up in a Jewish neighborhood, made up of immigrants who fled oppression, meant he heard a lot of stories about their suffering. The competitive character common amongst Judaic culture, is not always well regarded. In a negative environment, they had to adapt and blend in the crowd. This sort of environment together with his love for Science Fiction meant the young Siegel had a particular worldview, a Jewish one. To what extent it was present can be seen in his first major breakthrough β Superman.
#Superman #MaxFleisher #Fleisher #1941 #ClarkKent #film #JerrySiegel #MyronWaldman #BudCollyer #review #movies #cinemastodon
The Odyssey to see The Odyssey (2026)
![[thumbnail]](/pictures/user_upload/Troler/YVK9X1UWS9TUUQWG.png)
Troler
π 12 β€ 1 π 1 π¬ 3
As it is, the movie is infused with Nolan realism. Everything is serious and grim. The contrast between mythological events and reality creates this clash. I have not seen Nolan's The Dark Knight trilogy, so I cannot tell how much of this juxtaposition has existed before. Still, the contrast of what I saw on screen and how the movie portrayed such events, threw me off the loop.
#theodyssey #christophernolan #LudwigGoransson #AnneHathaway #MattDamon #RobertPattinson #Batman #odyssey #film #review #movies #cinemastodon
The Island 2005 is Michael Bay's Minority Report
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/5/56/The-island.jpg)
Blender Dumbass
π 14 π¬ 5
As far as my speculation goes, I think, it is safe to assume, the following happened: In 1994 ( before doing Bad Boys ) Michael Bay signed a 10 year contract with Jerry Bruckheimer which expired in 2004 ( after Bad Boys 2 ). Knowing that the contract is about to expire, 2 years prior ( in 2002 ) Steven Spielberg, in an attempt to get on good terms with Michael Bay, added a small reference to Bad Boys into his film Minority Report. And then took Bay under his supervision for the next 10 years. Starting with the 2005 film The Island. And through the Transformers franchise. Bay returned the favor by showing a concept car designed for Minority Report ( Lexus 2054 aka Lexus Minority ) multiple times in the background of The Island. Still that's just a theory. I don't actually know what happened. But it seems plausible.
#theIsland #MichaelBay #film #review #movies #cinemastodon
Godzilla (1954) is a choir of destruction and loss
![[thumbnail]](/pictures/user_upload/Troler/HHIY42R9INXOV48T.jpg)
Troler
π 42 π¬ 4
What can be said about Godzilla? It is an icon to name icons. Looking at IMDb, it is unfortunate, although expected, to find 2014 release of Godzilla has 10 times as much ratings as the original 1954 version. Even though some scenes do look pretty goofy, a lot of love was undoubtedly put into it. That love is not always felt when viewing with modern sensibilities. I attempt to remedy the poignant feeling by calculated and logical reasoning and arguments... or more so my own acuity of the work.
#Godzilla #Gojira #IshiroHonda #EmikoYamane #SachioSakai #film #movies #review #cinemastodon
Con Air 1997 is Bayhem! but Rick-Rolled
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/1d/Conairinternational.jpg)
Blender Dumbass
π 12 π¬ 2
Producer Jerry Bruckheimer didn't only work with the legendary Michael Bay. He worked with other legends too, like Tony Scott and in the case of Con Air Simon West who directed the Rick Astley music video Never Gonna Give You Up. Yet probably due to it being the first collaboration of Bruckheimer and West ( because it is West's directorial debut when it comes to feature films ), Bruckheimer steered him a bit to copy a style of another director he worked with. Michael Bay.
#conair #nicolascage #simonwest #film #review #movies #cinemastodon
28 Years Later is secretly about the UK Age Verification bullshit
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/3/38/28_Years_Later_film_poster.jpg/250px-28_Years_Later_film_poster.jpg)
Blender Dumbass
π 28
Today UK is leading the way towards apocalypse when it comes to stupid, ageist child-safety bullshit. And the 2025 Danny Boyle's film 28 Years Later is secretly about that motherfucking thing.
#28yearslater #28dayslater #ageism #privacy #ageverification #UK #politics #film #movies #review #cinemastodon
Dressed To Kill 1980 is a cinematic treat
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/1/11/Dressed_to_kill.jpg/250px-Dressed_to_kill.jpg)
Blender Dumbass
π 5 π¬ 99
I saw an interview where Quentin Tarantino praises the 1980 Hitchcockian Bryan de Palma film Dressed to Kill. And now after actually watching it myself, I can totally understand why.
#dressedtokill #bryandepalma #film #review #movies #cinemastodon
Mission: Impossible 2 ( 2000 ) is the best Mission: Impossible
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/4/48/Mission_Impossible_II.jpg/250px-Mission_Impossible_II.jpg)
Blender Dumbass
π 10 π¬ 4
A lot of people are big fans of the Christopher McQuarrie movies in the Mission: Impossible series. A lot of more sophisticated movie goers prefer the more serious first picture directed by Brian De Palma. Some are the fans of the Brad Bird and J. J. Abrams installments. But almost everybody unanimously loves to hate on the John Woo second film Mission: Impossible 2. I frankly, don't get it.
#missionimpossible #MI2 #tomcruise #film #review #movies #cinemastodon
The Phoenician Scheme is a very Wes Anderson film
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/2/2e/The_Phoenician_Scheme_theatrical_poster.jpg)
Blender Dumbass
π 21 π¬ 7
The film, this review is intending to be about, is a gorgeous example of the phenomenon that could be described by the words "Wes Anderson".
#ThePhoenicianScheme #WesAnderson #film #review #movies #cinemastodon
The Retreat from Kiska (1965) moralizes imperial Japan
![[thumbnail]](/pictures/user_upload/Troler/NBYB67XOXQ43O8R6.jpg)
Troler
π 9 β€ 2 π 1 π¬ 8
How daring must be a film studio to make a film applauding the acts of the Japanese Empire not only for the local, but the global market as well. One of the ways to do it, is to make a documentary, use objectivity as a shield for political play. Alternatively it can be about the individuals, who were concerned about the life of brethren than some pity war goals.
#TheRetreatFromKiska #1965 #Japan #Toho #SeijiMaruyama #wwii #movies #film #cinemastodon #review
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