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by Troler
Free Software fundamentally misses the point. It fails on a practical, ideological, economic, and political level. Let’s examine precisely how (in a slightly different order for the purposes of presentation).
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"I like you"
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"That's very sweet of you <...>, I like you too"
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"I mean, I don't like many people"
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Seldom do I eat the same food twice, reread a book or even rewatch a movie. Barely do I ever want to rewatch the movie as I am watching it. You did not misread, not after the ending, but during the actual viewing. If you somehow didn't read the title, the movie in question is Robert Mulligan's Summer of '42.
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I came across it when I was reading Quentin Tarantino's review of 40s nostalgia pieces. What piqued my attention was the radiating love and affection for the picture and his knack for collecting film prints ("if you haven’t seen Summer of ‘42 projected in an I.B. Technicolor 35mm film print, you haven’t seen Summer of ‘42). I set down at the middle of the night and saw something I cannot unsee. Neither did the audience in 1971, since this slice-of-romance film about horny teenagers beat Dirty Harry and even Stanley Kubrick's A Clockwork Orange in the box office. To say it was impactful is an understatement.
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What was it that caught the attention of the viewers? Well, it was sex of course! Imagine this, the Sexual Revolution has swept the United States, arguing that all this restriction on sex is making people grow into perverts. The tidal shift of demographics, as brought by the Baby Boom, resulted in American cinema unshackling itself. This change is known as New Hollywood. In 1971 Robert Milligan was one of these crazy New Hollywood men. At a budget of a million (lead actress Jennifer O'Neill says it was 8 million) created relatively simple movie. Simple, yet effective. To a point where it deeply touched Kubrick ("climax of the film is quite simply one of the most devastating sequences I’ve ever witnessed (apparently Kubrick felt the same)". Do not take Tarantino's word for it, watch what Wendy is watching in The Shining
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The story follows a group of 3 ragtags Oscy (Jerry Houser), Benjie (Oliver Conant) and Hermie (Gary Grimes). All of them are a trio of lusting adolescents. They are at a stage where they want to have sex yet paternalism laws do not allow them to. Naturally that gives the same results as boiling water with the lid shut down. A good bit of the half of the movie is about teenagers being stupid bunch of horny bastards. There Hermie falls deep in love with Dorothy (Jennifer O'Neill). Hermie is 15 and Dorothy is in her 20s (the actor was 22). There is this Licorice Pizza scenario. The movie corrupts the audience into believing the relationship between a teenager and a woman is okay. WW2 is in the background: you have soldiers strolling the town, Dorothy sending her husband to France, radio broadcaster talking about the war. It is in the background... until it is not. The movie is set during 1942, it is a nostalgia piece after all. The Dorothy observed is meeting this 15 year old, while her husband is out fighting Nazis. At one point she buys flowers, keep that in your mind, it will be relevant later. For a good part of the film, the focus is on the "Terrible" trio and their quest to get laid.
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Since the budget of the film was not that high (a million), it resulted in quite simple camera arrangement. Most shots were done out-doors, resulting in less expenses on props. Since the emphasis is on the characters, the shots are done using wide lens. The movie actually becomes quite a bit darker as it progresses. I mean, literally darker. First scenes are bright, moving with life of the beach-goers. Later on you have the shabby "Terrible trio" hut, movie theater, sex during midnight. As mentioned before, it being a movie from 1971, sex in movies was still taboo. Robert Mulligan is corrupting the audience by having a scene where teenagers actually fuck during the middle of the night. None of it is displayed on the screen. It was distributed by Warner Bros. in 1971 after all.
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The music composed by Michel Legrand is nearly non-existent. It starts in the beginning, with the showcase of the important places throughout the movie and resumes only at the end. Upon the rewatch, the beginning slide-show made me tear up.
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The love between Hermie (Herman) and Dorothy (Dorothy) was, by the words of the screen writer Herman Raucher, "had effected a strange relationship". Herman, in a way is a romantic, similar to Steven Spielberg. For him love is more than just putting his sausage into girl's scissors, as did Oscar, who in character, was closer to Luc Besson with his pussy-curse. Naturally having Dorothy's husband was murdered in France, meant "she was alone on an island and drinkin’ and playing their favorite song and in walks this kid and <...> She just thought I (Herman) was him". Powered by mourning, she danced, danced with Hermie (Herman) to their favorite song and went to bed with a 15 year old kid. It was Dorothy's way of curing herself from the trauma. She was alone on island with no-one except that strange Hermie (Herman). The flowers she bought few days ago were thrown out. The vase was left empty. Not even water was present in it.
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30 years later, after the film was released, the writer received "numerous letters from women claiming to be Dorothy". One of them stood out, it had Dorothy's handwriting. The letter mentioned, she had remarried and was living in Canton, Ohio. She was intrigued what effect did she have on Herman. The letter was ended with these words: "The ghosts of that night 30 years ago are better left undisturbed."
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Tell me @BlenderDumbass , are you willing to do a psycho-sexual analysis on one horny teenager and a miserable widow?
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Fin.
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The somber tale of Summer of '42
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/18/Summer_of_%2742_POSTER.jpg)
Troler
👁 12 💬 109
Sex and love are hard to miss on present block-busters. Even topics such as love between a child and an adult are discussed. In early 1970s and before it was hard to find films delving into such topics. A nostalgia film of that. The movie may start out light-hearted, it went deep so to make the illustrious Kubrick cry.
#Summerof42 #1942 #JenniferO'Neill #GaryGrimes #JerryHouser #RobertMulligan #HermanRaucher #film #review #movies #cinemastodon
What "Zero Motivation" tell us about the self-awareness of the IDF?
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/8/81/Zero_Motivation_POSTER.jpg/250px-Zero_Motivation_POSTER.jpg)
Blender Dumbass
👁 10 ❤ 3 🔄 1 💬 8
Due to the renewed interest of the public in the conflict at the middle east, some filmmakers tried pushing and pulling a political pendulum when it comes to accepting / boycotting Israeli film-makers. It is known that film-makers ( being in the art of empathy ) usually tend to be on a progressive side. That makes a concept of an "Israeli filmmaker" a rather strange thing to fathom. But since we see filmmakers from far more restrictive parts of the middle-east find ways to speak their true minds about complex topics, despite heavy censorship, there is no shortage of progressive Israeli films. One of them Zero Motivation ( אפס ביחסי אנוש ), a tale about IDF itself, has some rather interesting points. No... Not the ones you might expect.
#אפס ביחסי אנוש #zeromotivation #film #review #movies #cinemastodon
Juror #2 is 12 Angry Men meets Minority Report
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/b/be/Juror_No._2_%282024%29.jpg/250px-Juror_No._2_%282024%29.jpg)
Blender Dumbass
👁 8
Imagine being born in the year 1930, starring in films since the 1950s and yet in 2024 ( at the age of 94 ) releasing a movie you directed. If you want to talk anti-ageism Clint Eastwood is the motherfucker you point to. Hell he even made a movie about anti-ageism in the early 2000s, called Space Cowboys which is a light rip-off of Armageddon. This time thought he swings at us with a great rip-off of a 1957 Sidney Lumet classic 12 Angry Men.
#juror2 #clinteastwood #nicholashoult #film #review #movies #cinemastodon
Jojo Rabbit would not be possible without Inglourious Basterds
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/a/a2/Jojo_Rabbit_%282019%29_poster.jpg)
Blender Dumbass
👁 10 ❤ 3 🔄 1 💬 3
Quentin Tarantino told numerous times that the two places which gave the strongest reactions to his 2009 film Inglourious Basterds were Berlin and Tel Aviv. Why? Why reactions? Well... prior to Inglourious Basterds films about the subject of conflict between Jews and Nazis in World War II were largely serious pieces of cinema. Think Schindler's List. But as I pointed out in my review of Schindler's List, there was a considerable amount of effort on the part of Steven Spielberg to make the movie actually watchable. Tarantino with Inglourious Basterds made a movie that is not merely watchable, but outright enjoyable. He made a movie about this conflict where the audience are allowed to laugh. Taika Waititi's 2019 film Jojo Rabbit takes this premise and dials it to 11.
#jojorabbit #taikawaititi #film #review #movies #cinemastodon
S#X Acts 2012 is trying to beat Lars Von Trier at ultra-cinematic cringe
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/1/1c/Six_Acts_the_film.jpg/250px-Six_Acts_the_film.jpg)
Blender Dumbass
👁 17 💬 1
Six Acts ( or S#x Acts ) is an erotic drama horror film about a girl who is slowly realizing that she is being abused. The film feels strangely like the seduction scene in Taxi Driver but stretched out into 6 chapters, filling up a feature length movie.
#sixacts #film #review #movies #cinemastodon #sivanlevy #larsvontrier
Flight Risk 2025 is Mel Gibson failing to be Robert Rodriguez
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/e/e2/Flight_risk_2024.jpg/250px-Flight_risk_2024.jpg)
Blender Dumbass
👁 6 💬 1
The first shot of the 2025 thriller directed by Mel Gibson called Flight Risk is an establishing shot of a location you might see on television, which already says a lot about the movie. But that's not all of it. The shot is also very much computer-generated. I wouldn't say it's Ai ( but anything's possible ). It looks more like a 2D composition using various elements. A modern matte-painting of sorts. It's hard to point out specifically what's wrong with it, but it looks obviously fake. And obviously put together on a computer. And then the rest of the film doesn't really shake off this fakeness.
#flightrisk #melgibson #markwahlberg #film #review #movies #cinemastodon
Once Upon a Time... In Hollywood 2019 is Tarantino respecting the audience
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/a/a6/Once_Upon_a_Time_in_Hollywood_poster.png/250px-Once_Upon_a_Time_in_Hollywood_poster.png)
Blender Dumbass
👁 47 💬 1
People often complain about dumb movies with too much unnecessary spoon-feeding. We get so much explaining and over-explaining that the brain hurts sometimes. You already know what is going on. You are following the story. You don't need no god damned reminder of what you are watching. And yet the studio heads still think that you are too dumb to understand what's going on in front of you on the screen. Respecting the audience on the other hand is a leap of faith on a part of a film-maker and only the greatest do that well. Quentin Tarantino with his 2019 film Once Upon a Time... in Hollywood takes the hardest such leap of his career.
#OnceUponaTimeinHollywood #QuentinTarantino #film #review #movies #cinemastodon
Oe Uniltìrantokx säfpìl
![[thumbnail]](/pictures/user_upload/Troler/LQTGAD8VTJ01L59E.jpg)
Troler
👁 10 ❤ 2 🔄 1 💬 4
Pamrel si tsawl tspang oe, kolan, ya Eyweveng txum. Oe plltxe, filesngä'i rel arusikx kan eltu lefngap reltseo kurfyavi tawtute nemfa srer rel arusikx smaw meoauniaea Na'visì atxkxe.
#avatar #jamescameron #fireandash #avatarfireandash #movies #review #film #cinemastodon
Cleaner 2025 is a feminist take on Die Hard
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/5/5f/Cleaner_2025_poster.jpg/250px-Cleaner_2025_poster.jpg)
Blender Dumbass
👁 11
I heard bad things about Martin Campbell's 2025 film Cleaner starring Daisy Ridley. People found this movie dull or whatever. And then I found out that the director was indeed Martin Campbell, the guy who brought us films like Mask of Zorro and a some of the good James Bond films, like Casino Royal ( arguably the best film in the 007 franchise ). The bad things people say and the director's reputation didn't make sense together. I had to see for myself what the fuss is all about.
#cleaner #DaisyRidley #MartinCampbell #DieHard #movies #film #review #cinemastodon
Parallax at Max: Billie Eilish – Hit Me Hard and Soft: The Tour (Live in 3D)
![[thumbnail]](/pictures/user_upload/Troler/WPA11XXZK2DCU22T.jpg)
Troler
👁 9 ❤ 1 🔄 1 💬 11
Am I bad guy for being so positive about a movie of a person I do not care much about? Well, there is nothing to fret, as the 3D film directed by Billie Eilish is palatable for everyone looking for entertainment. Certainly no masterpiece, the film still hold water in its flow. 3D doesn't work if there is no parallax. And parallax just out there doesn't work if there is no reason for it to exist. The documentary provides ten times that.
#BillieEilishHitMeHardandSoftTheTour #BillieEilish #JamesCameron #horror #film #review #movies #cinemastodon
F1 is suprisingly relatable
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/3/38/F1_%282025_film%29.png/250px-F1_%282025_film%29.png)
Blender Dumbass
👁 16 💬 2
As you probably figured out, the movie is about racing. It is kind of similar to Ford v Ferrari where you have an underdog team trying to compete on a race with Ferrari to win the race. In this case though, Ferrari was not the fastest car on the track. The fastest one was from Red Bull. And not just from Red Bull. It was Lewis Hamilton who is an actual real F1 driver, who also played himself in the film and who was one of the producers on the film.
#F1 #racing #movie #film #review #movies #cinemastodon #BradPitt #JavierBardem #JosephKosinski #formula1
Trap 2024: oh... M. Night Shyamalan is Back, Baby!
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/5/5e/Trap_2024_%28film_poster%29.jpg/250px-Trap_2024_%28film_poster%29.jpg)
Blender Dumbass
👁 4 ❤ 2 🔄 1 💬 3
We are living in the most exciting era when it comes to M. Night Shyamalan. The era I would call "A lottery". M. Night started strong. Critical acclaim and commercial success hit him hard, when he was a young film-maker. They were calling him "the next Spielberg". Then doubt possessed his sole. Some critics said something about something he did. And there he went. On a downward spiral towards the bottom. The Happening, The Last Airbender, After Earth... M. Night never truly recovered from this turmoil. He did great films since: The Visit, Split, Knock at the Cabin. But he then made strangely not so great films in between: Glass, Old, the strangely The Happening esque ending of Knock at the Cabin. Going today to an M. Night Shyamalan movie is truly a lottery. You never know what you are gonna get. With Trap we all got a fucking jack-pot!
#trap #mnightshyamalan #shyamalan #film #review #movies #cinemastodon
Predator 1987 was always a B-movie
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/9/95/Predator_Movie.jpg/250px-Predator_Movie.jpg)
Blender Dumbass
👁 20 💬 3
As I observed in my review of Predator 2, the Predator films feel very B-movie-like. And the first film, John McTiernan's 1987 Predator is not an exception.
#predator #horror #ArnoldSchwarzenegger #film #review #movies #cinemastodon
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