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by Troler
Free Software fundamentally misses the point. It fails on a practical, ideological, economic, and political level. Let’s examine precisely how (in a slightly different order for the purposes of presentation).
6 Minute Read
"I like you"
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"That's very sweet of you <...>, I like you too"
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"I mean, I don't like many people"
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Seldom do I eat the same food twice, reread a book or even rewatch a movie. Barely do I ever want to rewatch the movie as I am watching it. You did not misread, not after the ending, but during the actual viewing. If you somehow didn't read the title, the movie in question is Robert Mulligan's Summer of '42.
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I came across it when I was reading Quentin Tarantino's review of 40s nostalgia pieces. What piqued my attention was the radiating love and affection for the picture and his knack for collecting film prints ("if you haven’t seen Summer of ‘42 projected in an I.B. Technicolor 35mm film print, you haven’t seen Summer of ‘42). I set down at the middle of the night and saw something I cannot unsee. Neither did the audience in 1971, since this slice-of-romance film about horny teenagers beat Dirty Harry and even Stanley Kubrick's A Clockwork Orange in the box office. To say it was impactful is an understatement.
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What was it that caught the attention of the viewers? Well, it was sex of course! Imagine this, the Sexual Revolution has swept the United States, arguing that all this restriction on sex is making people grow into perverts. The tidal shift of demographics, as brought by the Baby Boom, resulted in American cinema unshackling itself. This change is known as New Hollywood. In 1971 Robert Milligan was one of these crazy New Hollywood men. At a budget of a million (lead actress Jennifer O'Neill says it was 8 million) created relatively simple movie. Simple, yet effective. To a point where it deeply touched Kubrick ("climax of the film is quite simply one of the most devastating sequences I’ve ever witnessed (apparently Kubrick felt the same)". Do not take Tarantino's word for it, watch what Wendy is watching in The Shining
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The story follows a group of 3 ragtags Oscy (Jerry Houser), Benjie (Oliver Conant) and Hermie (Gary Grimes). All of them are a trio of lusting adolescents. They are at a stage where they want to have sex yet paternalism laws do not allow them to. Naturally that gives the same results as boiling water with the lid shut down. A good bit of the half of the movie is about teenagers being stupid bunch of horny bastards. There Hermie falls deep in love with Dorothy (Jennifer O'Neill). Hermie is 15 and Dorothy is in her 20s (the actor was 22). There is this Licorice Pizza scenario. The movie corrupts the audience into believing the relationship between a teenager and a woman is okay. WW2 is in the background: you have soldiers strolling the town, Dorothy sending her husband to France, radio broadcaster talking about the war. It is in the background... until it is not. The movie is set during 1942, it is a nostalgia piece after all. The Dorothy observed is meeting this 15 year old, while her husband is out fighting Nazis. At one point she buys flowers, keep that in your mind, it will be relevant later. For a good part of the film, the focus is on the "Terrible" trio and their quest to get laid.
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Since the budget of the film was not that high (a million), it resulted in quite simple camera arrangement. Most shots were done out-doors, resulting in less expenses on props. Since the emphasis is on the characters, the shots are done using wide lens. The movie actually becomes quite a bit darker as it progresses. I mean, literally darker. First scenes are bright, moving with life of the beach-goers. Later on you have the shabby "Terrible trio" hut, movie theater, sex during midnight. As mentioned before, it being a movie from 1971, sex in movies was still taboo. Robert Mulligan is corrupting the audience by having a scene where teenagers actually fuck during the middle of the night. None of it is displayed on the screen. It was distributed by Warner Bros. in 1971 after all.
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The music composed by Michel Legrand is nearly non-existent. It starts in the beginning, with the showcase of the important places throughout the movie and resumes only at the end. Upon the rewatch, the beginning slide-show made me tear up.
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The love between Hermie (Herman) and Dorothy (Dorothy) was, by the words of the screen writer Herman Raucher, "had effected a strange relationship". Herman, in a way is a romantic, similar to Steven Spielberg. For him love is more than just putting his sausage into girl's scissors, as did Oscar, who in character, was closer to Luc Besson with his pussy-curse. Naturally having Dorothy's husband was murdered in France, meant "she was alone on an island and drinkin’ and playing their favorite song and in walks this kid and <...> She just thought I (Herman) was him". Powered by mourning, she danced, danced with Hermie (Herman) to their favorite song and went to bed with a 15 year old kid. It was Dorothy's way of curing herself from the trauma. She was alone on island with no-one except that strange Hermie (Herman). The flowers she bought few days ago were thrown out. The vase was left empty. Not even water was present in it.
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30 years later, after the film was released, the writer received "numerous letters from women claiming to be Dorothy". One of them stood out, it had Dorothy's handwriting. The letter mentioned, she had remarried and was living in Canton, Ohio. She was intrigued what effect did she have on Herman. The letter was ended with these words: "The ghosts of that night 30 years ago are better left undisturbed."
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Tell me @BlenderDumbass , are you willing to do a psycho-sexual analysis on one horny teenager and a miserable widow?
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Fin.
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The somber tale of Summer of '42
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/1/18/Summer_of_%2742_POSTER.jpg)
Troler
👁 16 💬 109
Sex and love are hard to miss on present block-busters. Even topics such as love between a child and an adult are discussed. In early 1970s and before it was hard to find films delving into such topics. A nostalgia film of that. The movie may start out light-hearted, it went deep so to make the illustrious Kubrick cry.
#Summerof42 #1942 #JenniferO'Neill #GaryGrimes #JerryHouser #RobertMulligan #HermanRaucher #film #review #movies #cinemastodon
Juror #2 is 12 Angry Men meets Minority Report
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/b/be/Juror_No._2_%282024%29.jpg/250px-Juror_No._2_%282024%29.jpg)
Blender Dumbass
👁 10
Imagine being born in the year 1930, starring in films since the 1950s and yet in 2024 ( at the age of 94 ) releasing a movie you directed. If you want to talk anti-ageism Clint Eastwood is the motherfucker you point to. Hell he even made a movie about anti-ageism in the early 2000s, called Space Cowboys which is a light rip-off of Armageddon. This time thought he swings at us with a great rip-off of a 1957 Sidney Lumet classic 12 Angry Men.
#juror2 #clinteastwood #nicholashoult #film #review #movies #cinemastodon
Machete 2010 is about US politics of 2025 somehow
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/6/6f/Machete_poster.jpg/250px-Machete_poster.jpg)
Blender Dumbass
👁 20 ❤ 1 💬 7
An exploitation film is a film that exploits some talked about fear or trend in culture in order to sell tickets to a movie that is probably not very good. Exploitation films are usually low budget, badly made B-movies, with a certain charm to them, if you like Tommy Wiseau's work. 2010's Robert Rodriguez film Machete is, somewhat of an intentional attempt at recreating the exploitation film phenomenon. Which exploits US politics of 2025, somehow. ( Rodriguez must have a time machine somewhere in his studio ).
#Machete #RobertRodriguez #film #review #movies #cinemastodon #trump #uspol #kirk #ice
The Taking of Pelham 123 ( 2009 ) is Tony Scott continuing to mess with Michael Bay
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/c/cf/Taking_of_Pelham_123_%282009_film%29.jpg/250px-Taking_of_Pelham_123_%282009_film%29.jpg)
Blender Dumbass
👁 30 💬 4
Tony Scott's 2009 film The Taking of Pelham 123 is a remake of a 1998 TV movie with same name, which is a remake of a 1974 movie with the same name, which is an adaptation of a 1973 book, with the same name. Strangely enough, apart from Denzel Washington playing the hero and John Travolta playing the villain, the film also prominently shows John Turturro and Ramón Rodríguez which, the same year, also appeared in a Michael Bay film Transformens 2: Revenge of the Fallen.
#TheTakingofPelhamOneTwoThree #TonyScott #movies #review #film #cinemastodon
The Neon Demon 2016 begs for a psycho-sexual analysis
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/9/9d/The_Neon_Demon.png/250px-The_Neon_Demon.png)
Blender Dumbass
👁 29 💬 3
Nicolas Winding Refn seems to be making only cult-classics. His 2011 Drive was a moderate box office success. But a banger of a cult-classic later on, as people understood that it is not a mere action film. Then he made Only God Forgives. A strange psycho-sexual movie where the plot lives in the crack-space between reality and dream-land. The film got misunderstood and barely made its money back. Yet those people who like it, like it very much. And then he made a straight box-office disaster The Neon Demon that made only half of its ( rather small $7.5 million ) budget back. Yet it is seems like it's the kind of movie that just begs for a deep analysis.
#TheNeonDemon #NicolasWindingRefn #movies #film #review #cinemastodon
Spontaneous 2020 invented a way to get horror fans to watch a teen drama.
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/f/fb/Spontaneous_%28film%29.jpg/250px-Spontaneous_%28film%29.jpg)
Blender Dumbass
👁 15 💬 1
The premise of the directorial debut of Brian Duffield ( the director of an amazing horror film about aliens called No One Will Save You ) is, on paper, very Post Cringe. It is about a class of teenagers who spontaneously explode out of nowhere, and how little those same teenagers care about the fact that their friends blow up.
#spontaneous #film #review #movies #cinemastodon #BrianDuffield
Transformers is Good if You Take it Seriously
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/6/66/Transformers07.jpg/220px-Transformers07.jpg)
Blender Dumbass
👁 38 ❤ 3 🔄 1 💬 2
I decided to re-watch the first Transformers film today, but differently. Instead of indulging in it as mindless entertainment, I decided I want to actually view it seriously, as I would with somebody like Steven Spielberg, who, by the way, was an executive producer on the film.
#transformers #MichaelBay #film #review #movies #cinemastodon #ShiaLabeouf #MeganFox #VFX #CGI
Hot Fuzz 2007 shows that Edgar Wright understands Michael Bay
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/c/c9/HotFuzzUKposter.jpg/250px-HotFuzzUKposter.jpg)
Blender Dumbass
👁 32 💬 4
Edgar Wright with his 2017 film Baby Driver shows that he can make some awesome clean action if he wants to. And yet watching his 2007 film Hot Fuzz you feel like something isn't quite wright. The camera is too shaky and the editing is too quick. Is he trying to "hide something"? No! He simply imitates Michael Bay, that's all.
#hotfuzz #edgarwright #michaelbay #movies #film #review #comedy #cinemastodon
Last Night in Soho is not quite horror if you think about it
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/e/ea/Last_Night_in_Soho_%282021%29_poster.jpg/250px-Last_Night_in_Soho_%282021%29_poster.jpg)
Blender Dumbass
👁 6 ❤ 3 💬 2
So here comes Edgar Wright, in 2021, and makes a movie that tries to be a real horror film. This must be the real shit right? Wright? Well...
#lastnightinsoho #edgarwright #film #review #movies #cinemastodon
Ultraviolet 2006 is my guilty pleasure movie
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/3/3a/Ultraviolet_poster.jpg/250px-Ultraviolet_poster.jpg)
Blender Dumbass
👁 14 ❤ 1 💬 3
With 9% Rotten Tomatoes score 2006 Kurt Wimmer film Ultraviolet starring Milla Jovovich cannot possibly be any good, can it? Well I re-watched it for this review and while I somewhat see where the critics are coming from, I also have enjoyed the hell out of it.
#Ultraviolet #MillaJovovich #KurtWimmer #film #review #movies #cinemastodon
So Did Avatar 3 Use AI?
![[thumbnail]](/pictures/thumbs/avatar_ai.jpg)
Blender Dumbass
👁 44 ❤ 3 🔄 1 💬 2
While James Cameron has denied that Avatar 3: Fire and Ash used any generative AI. On January 24, 2026 Joe Letteri ( the visual effect supervisor from Weta Digital ) sat with the Corridor Crew for their weekly show of VFX Artists React where he said that the facial animation for the hero characters for both Avatar 2 and 3 involved a neural network. A neural network? Isn't that a fancy way to say "AI"?
#avatar #jamescameron #fireandash #avatarfireandash #movies #review #film #cinemastodon #ai #art #mastoart #aiart #neualnetwork
Weapons 2025 should be nominated for best picture
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/thumb/6/6d/Weapons_film_2025.jpeg/250px-Weapons_film_2025.jpeg)
Blender Dumbass
👁 25 💬 6
It is not often that a horror films appears to tickle the right nerves from the high-brow crowd of cinema critics. With 93% Rotten Tomatoes score though, it is safe to assume that Zach Cregger's Weapons from 2025 is one of those rare movies.
#weapons #horror #film #review #movies #cinemastodon
Invasion of Astro-Monster teletransported to Brahe
![[thumbnail]](https://upload.wikimedia.org/wikipedia/en/2/21/Invasion_of_Astro-Monster_Theatrical_Poster.jpg)
Troler
👁 8 ❤ 1 🔄 1 💬 4
Instead of an action roller-coaster, the film provides a Sci-Fi political story with a 3 headed Ghidorah. As is the case with previous installments, the costumes were repurposed, just changed to fit the slightly different aesthetic.
#Godzilla #Gojira #InvasionofAstroMonster #IshiroHonda #NickAdams #AkiraTakarada #AkiraIfukube #film #movies #review #cinemastodon
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